A work in constant progress (and occasional regress).
Alias:
Valentín Fusari
Birthplace:
Buenos Aires, Argentina
Born:
July 28, 1994
I am currently developing in the area of post-production for films and series from different OTTs, leading different projects, I have a clear interpersonal vision to be able to communicate the processes with my colleagues and carry them out. I have a strong technical knowledge in the camera department as a DIT, which I like to complement with a more artistic and comprehensive look at the ongoing project in order to enhance its scope.
Colorist:
2023 The Parrot
2024 The Consortium
Gaffer:
2023 Lola no es un apodo para Dolores
2023 The Parrot
2024 The Consortium
Online Editor:
2022 Targeted
2023 Blondi
2023 Elena Knows
2023 Lola no es un apodo para Dolores
2023 Puan
2023 The Parrot
2023 The Trial
2024 Eureka
2024 Rest in Peace
2024 The Consortium
2024 The Man Who Loved UFOs
2024 The Practice
2024 Upon Open Sky
Color Assistant:
2023 The Cry of the Butterflies
Online Editor:
2022 The End of Love
2022 Yosi, the Regretful Spy
2023 Love After Music
2023 Ringo. Glory and Death
2023 The Cry of the Butterflies
2024 Coppola, the Agent
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.