A work in constant progress (and occasional regress).
Alias:
rmc
Birthplace:
Philippines
Born:
June 27, 2001
Ryan Capili (b. 2001) is a filmmaker based in Manila. He is also a writer-critic at Sinegang.PH. His films mostly come from personal experiences with themes usually revolving around memory, time, and longing. He uses the medium to express his ruminations and show how he views the world from his own perspective. He works mostly as a DP/Cinematographer in film productions. His short film “i was walking on the streets of chinatown (2024)” is one of the finalists of Cinemalaya XX in 2024. Ryan’s previous short "damgo sa kahitas-an" also won the best film for Manila Student Film Festival 2023 hosted by International School Manila. His experimental-documentary film “an elegy for the memories” have also been selected on other festivals such as Cinema Rehiyon 15, UP Cinema's Piling Obrang Vidyo, Bakunawa Film Festival, and 35th Gawad Alternatibo.
Director:
2020 Odyssey: Alongside The Universe
2022 damgo sa kahitas-an
2023 an elegy for the memories
2024 i was walking on the streets of chinatown
2025 forms of forgetting
Director of Photography:
2020 Odyssey: Alongside The Universe
2022 damgo sa kahitas-an
2023 an elegy for the memories
2024 i was walking on the streets of chinatown
2025 forms of forgetting
Editor:
2020 Odyssey: Alongside The Universe
2022 damgo sa kahitas-an
2023 an elegy for the memories
2024 i was walking on the streets of chinatown
2025 forms of forgetting
Executive Producer:
2020 Odyssey: Alongside The Universe
2022 damgo sa kahitas-an
2023 an elegy for the memories
2024 i was walking on the streets of chinatown
2025 forms of forgetting
Gaffer:
2020 Odyssey: Alongside The Universe
2022 damgo sa kahitas-an
2023 an elegy for the memories
2024 Kung Ika'y Makapili
2024 i was walking on the streets of chinatown
2025 forms of forgetting
Line Producer:
2020 Odyssey: Alongside The Universe
2022 damgo sa kahitas-an
2023 an elegy for the memories
2024 Kung Ika'y Makapili
2024 i was walking on the streets of chinatown
2025 forms of forgetting
Online Editor:
2020 Odyssey: Alongside The Universe
2022 damgo sa kahitas-an
2023 an elegy for the memories
2024 Kung Ika'y Makapili
2024 i was walking on the streets of chinatown
2025 forms of forgetting
Producer:
2020 Odyssey: Alongside The Universe
2022 damgo sa kahitas-an
2023 an elegy for the memories
2024 Kung Ika'y Makapili
2024 i was walking on the streets of chinatown
2025 forms of forgetting
Screenplay:
2020 Odyssey: Alongside The Universe
2022 damgo sa kahitas-an
2023 an elegy for the memories
2024 Kung Ika'y Makapili
2024 i was walking on the streets of chinatown
2025 forms of forgetting
Sound:
2020 Odyssey: Alongside The Universe
2022 damgo sa kahitas-an
2023 an elegy for the memories
2024 Kung Ika'y Makapili
2024 i was walking on the streets of chinatown
2025 forms of forgetting
Writer:
2020 Odyssey: Alongside The Universe
2022 damgo sa kahitas-an
2023 an elegy for the memories
2024 Kung Ika'y Makapili
2024 i was walking on the streets of chinatown
2025 forms of forgetting
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.