Zeynep Dilara Aksoy (b. 1989)

Birthplace:
Ankara, Türkiye

Born:
November 30, 1989

Zeynep Dilara is an independent director who has built her career on what she calls "Social Perception-Enhancing Films", a screenwriter supported by the Ministry of Culture's General Directorate of Cinema, an independent educator, writer and documentary filmmaker who teaches story writing and screenplay.  In addition to all these, she is a female entrepreneur and entered the video field by establishing a company that produces content and provides consultancy to corporate companies and international brands in the field of video marketing.  She continues her film productions in the documentary genre and writes for literary magazines. The last series of articles published in KafkaOkur (literature, philosophy, art) is an interactive article that reaches the reader from the #fikrinipaylas (en. Share Your Thoughts) column. The series, which also includes the articles of amateur writers, enabled many new writers to interact with the magazine for a year.  She still continues to reach writer candidates by sharing information and resources on the platform called "Yazabilirsin" (en. You Can Write), of which she is the founder and content manager.

Additional information:

The Search Form


Director:
2018  Yakaranlar
2019  25 Litre
2020  After 25 Liters
2022  Şile

Editor:
2018  Yakaranlar
2019  25 Litre
2020  After 25 Liters
2022  Şile

Screenplay:
2018  Yakaranlar
2019  25 Litre
2020  After 25 Liters
2022  Şile

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.