A work in constant progress (and occasional regress).
Alias:
蔡晏珊
A MFA graduate from the City College of New York, TSAI began her career as an assistant director in Taiwan. With extensive experience in documentary filmmaking, she has been dedicated to working as an editor since 2016. Also a volunteer member of the COSWAS.
Director:
2023 Lauchabo
Editor:
2017 The Poets
2019 Nina Wu
2022 The Great Basin
2023 Lauchabo
2023 The Last Queen
2024 A Song Sung Blue
2024 Morrison
2024 Sleep with Your Eyes Open
2025 Bound in Heaven
Producer:
2007 Street Survivor
2017 The Poets
2019 Nina Wu
2022 The Great Basin
2023 Lauchabo
2023 The Last Queen
2024 A Song Sung Blue
2024 Morrison
2024 Sleep with Your Eyes Open
2025 Bound in Heaven
Writer:
2007 Street Survivor
2017 The Poets
2019 Nina Wu
2022 The Great Basin
2023 Lauchabo
2023 The Last Queen
2024 A Song Sung Blue
2024 Morrison
2024 Sleep with Your Eyes Open
2025 Bound in Heaven
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.