A work in constant progress (and occasional regress).
Clara Sosa Faccioli obtained her technical degree from the Higher Institute of Cinema and Audiovisual Arts of Santa Fe. She is a filmmaker, photographer and writer. He has written and directed the short films: “That fear of being useless”; "Lapsus" and "Latente" his most recent and experimental work, winner of Best International Short Film at the Cineestesia Festival, Colombia; Best Latin American Short at the Caruaru Festival, Brazil; and Best National Short Film at the Terror Córdoba Festival, Argentina. He has worked in different roles in short and feature films INCAA and Espacio Santafecino and also in independent productions for TV and Cinema. Between 2021 and 2023 he worked on a television program produced by the Ministry of Culture of the Province of Santa Fe, Argentina.
Assistant Director:
2017 Desde Adentro
2018 Refugios
2019 Bajo el agua
2024 Days of Rain
Director:
2017 Desde Adentro
2018 Refugios
2019 Bajo el agua
2021 Latente
2024 Days of Rain
Executive Producer:
2017 Desde Adentro
2018 Refugios
2019 Bajo el agua
2021 Latente
2024 Days of Rain
Gaffer:
2017 Desde Adentro
2018 Refugios
2019 Adentro
2019 Bajo el agua
2021 Latente
2024 Days of Rain
Second Assistant Director:
2017 Desde Adentro
2018 Refugios
2019 Adentro
2019 Bajo el agua
2021 Latente
2024 Days of Rain
2024 El infierno de los vivos
Sound Designer:
2017 Desde Adentro
2018 Refugios
2019 Adentro
2019 Bajo el agua
2021 Latente
2024 Days of Rain
2024 El infierno de los vivos
Writer:
2017 Desde Adentro
2018 Refugios
2019 Adentro
2019 Bajo el agua
2021 Latente
2024 Days of Rain
2024 El infierno de los vivos
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.