A work in constant progress (and occasional regress).
Birthplace:
Mexico
Born:
July 22, 1998
Graduated from the Bachelor of Cinematography at the National School of Film Arts (ENAC-UNAM). He has participated in various student short films in the areas of Sound Design, Sound Mixing, Editing, Screenplay and Directing. Xyrs animated short film “Lost Time” was in the Official Selection of the 20° Morelia International Film Festival (FICM).
Animation:
2022 Lost Time
Director:
2020 Ahí donde no estamos
2022 Lost Time
2023 Till Nightfall Meets Us
Editor:
2020 Ahí donde no estamos
2022 Lost Time
2023 Abyss
2023 Till Nightfall Meets Us
Music:
2020 Ahí donde no estamos
2022 Lost Time
2023 Abyss
2023 Bad Days Won't Last
2023 Till Nightfall Meets Us
Post Producer:
2020 Ahí donde no estamos
2022 Lost Time
2023 Abyss
2023 Bad Days Won't Last
2023 Till Nightfall Meets Us
Producer:
2020 Ahí donde no estamos
2022 Lost Time
2023 Abyss
2023 Bad Days Won't Last
2023 Syndrome
2023 Till Nightfall Meets Us
Screenplay:
2020 Ahí donde no estamos
2022 Lost Time
2023 Abyss
2023 Bad Days Won't Last
2023 Syndrome
2023 Till Nightfall Meets Us
Script Supervisor:
2020 Ahí donde no estamos
2022 Lost Time
2023 Abyss
2023 Bad Days Won't Last
2023 Syndrome
2023 Till Nightfall Meets Us
Sound Designer:
2020 Ahí donde no estamos
2022 Lost Time
2023 Abyss
2023 Bad Days Won't Last
2023 Syndrome
2023 Till Nightfall Meets Us
Sound Editor:
2020 Ahí donde no estamos
2022 Lost Time
2023 Abyss
2023 Bad Days Won't Last
2023 It smells of shit, it smells of being
2023 Syndrome
2023 Till Nightfall Meets Us
Sound Mixer:
2020 Ahí donde no estamos
2022 Lost Time
2023 Abyss
2023 Bad Days Won't Last
2023 It smells of shit, it smells of being
2023 Syndrome
2023 Till Nightfall Meets Us
Sound Recordist:
2020 Ahí donde no estamos
2022 Lost Time
2023 Abyss
2023 Bad Days Won't Last
2023 It smells of shit, it smells of being
2023 Syndrome
2023 Till Nightfall Meets Us
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.