A work in constant progress (and occasional regress).
Assistant Director:
2023 Furtivo
2024 Dejar la piel
2024 The Consortium
???? El Asesino de la Tinta
???? Tango
Continuity:
2023 Furtivo
2024 Dejar la piel
2024 El juego
2024 The Consortium
???? El Asesino de la Tinta
???? Tango
Director:
2022 El barco de Teseo
2023 Furtivo
2023 La Maniobra
2023 Rouge
2023 SIN FUTURO MIENTRAS TANTO
2023 Sangría
2024 Dejar la piel
2024 El juego
2024 La parte ausente
2024 The Consortium
???? El Asesino de la Tinta
???? Tango
Editor:
2022 El barco de Teseo
2023 Furtivo
2023 La Maniobra
2023 Rouge
2023 SIN FUTURO MIENTRAS TANTO
2023 Sangría
2024 Dejar la piel
2024 El juego
2024 La parte ausente
2024 The Consortium
???? El Asesino de la Tinta
???? Tango
Producer:
2022 El barco de Teseo
2023 Furtivo
2023 La Maniobra
2023 Rouge
2023 SIN FUTURO MIENTRAS TANTO
2023 Sangría
2024 Dejar la piel
2024 El juego
2024 La parte ausente
2024 The Consortium
???? El Asesino de la Tinta
???? Tango
Script Consultant:
2022 El barco de Teseo
2023 Furtivo
2023 La Maniobra
2023 Rouge
2023 SIN FUTURO MIENTRAS TANTO
2023 Sangría
2024 Dejar la piel
2024 El juego
2024 La parte ausente
2024 The Consortium
???? El Asesino de la Tinta
???? Tango
Second Assistant Director:
2022 El barco de Teseo
2023 Furtivo
2023 La Maniobra
2023 Rouge
2023 SIN FUTURO MIENTRAS TANTO
2023 Sangría
2024 Caleidoscopio
2024 Dejar la piel
2024 El juego
2024 La parte ausente
2024 The Consortium
???? El Asesino de la Tinta
???? Tango
Writer:
2022 El barco de Teseo
2023 Furtivo
2023 La Maniobra
2023 Rouge
2023 SIN FUTURO MIENTRAS TANTO
2023 Sangría
2024 Caleidoscopio
2024 Dejar la piel
2024 El juego
2024 La parte ausente
2024 The Consortium
???? El Asesino de la Tinta
???? Tango
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.