A work in constant progress (and occasional regress).
Ashley Aldridge was born and raised in Orange County, CA. As a child, makeup always fascinated her, and at the age of 12, Ashley discovered makeup tutorials on YouTube. Over the next several years, she learned everything from beauty makeup to special effects makeup, which later became her main focus. After going to college to earn a degree in Psychology, Ashley decided to instead pursue her passion by attending Make-up Deisngory in Burbank, CA. As a working makeup artist, Ashley is pursuing her dream of working on large production Film and Television sets.
Key Makeup Artist:
2022 Xanadu Hellfire
2023 A Christmas Vintage
2024 Ambush at St. Mary's
Makeup Artist:
2021 The Occult Son
2022 1-800-Hot-Nite
2022 Black Site
2022 Dying to Win
2022 If These Walls Could Talk
2022 Scrap
2022 Sinister Stepsister
2022 Student Seduction
2022 The Incredible Story of Kimchi
2022 Xanadu Hellfire
2023 A Christmas Vintage
2023 BONDED
2023 Divinity
2023 My Landlord Wants Me Dead
2024 Ambush at St. Mary's
Makeup Department Head:
2021 The Occult Son
2022 1-800-Hot-Nite
2022 Black Site
2022 Dying to Win
2022 If These Walls Could Talk
2022 Scrap
2022 Sinister Stepsister
2022 Student Seduction
2022 The Incredible Story of Kimchi
2022 Xanadu Hellfire
2023 A Christmas Vintage
2023 BONDED
2023 Divinity
2023 Love in Zion National: A National Park Romance
2023 Love in the Great Smoky Mountains: A National Park Romance
2023 My Landlord Wants Me Dead
2023 The Hereafter
2023 Vanished in Yosemite
2024 Ambush at St. Mary's
2024 The Beach House Murders
???? When I'm Ready
Makeup Effects Designer:
2021 The Occult Son
2022 1-800-Hot-Nite
2022 Black Site
2022 Dying to Win
2022 If These Walls Could Talk
2022 Scrap
2022 Sinister Stepsister
2022 Student Seduction
2022 The Incredible Story of Kimchi
2022 Xanadu Hellfire
2023 A Christmas Vintage
2023 BONDED
2023 Divinity
2023 Love in Zion National: A National Park Romance
2023 Love in the Great Smoky Mountains: A National Park Romance
2023 My Landlord Wants Me Dead
2023 The Hereafter
2023 Vanished in Yosemite
2024 Ambush at St. Mary's
2024 The Activated Man
2024 The Beach House Murders
???? When I'm Ready
Special Effects Makeup Artist:
2021 The Occult Son
2022 1-800-Hot-Nite
2022 Black Site
2022 Dying to Win
2022 If These Walls Could Talk
2022 Scrap
2022 Sinister Stepsister
2022 Student Seduction
2022 The Incredible Story of Kimchi
2022 Xanadu Hellfire
2023 A Christmas Vintage
2023 Alien Planet
2023 BONDED
2023 Divinity
2023 Love in Zion National: A National Park Romance
2023 Love in the Great Smoky Mountains: A National Park Romance
2023 My Landlord Wants Me Dead
2023 The Hereafter
2023 Vanished in Yosemite
2024 Ambush at St. Mary's
2024 The Activated Man
2024 The Beach House Murders
???? When I'm Ready
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.