A work in constant progress (and occasional regress).
Alias:
Вернер Диссель
Birthplace:
Köln, Germany
Born:
August 26, 1912
Died:
January 22, 2003
Werner Friedrich Dissel (26 August 1912 – 22 January 2003) was a German actor, director, and resistance fighter against the Nazi regime. Dissel's began working as a newspaper photographer in the late 1920s. After the Nazis' rise to power, he became a member of an antifascist group headed by Harro Schulze-Boysen, and was involved in the resistance newspaper Wille zum Reich. Dissel was caught and imprisoned from 1937 to 1939. During his time in prison, the Gestapo arranged for Boysen to visit him, in the hope that something incriminating would be said while the two would be left alone in a tapped room; Boysen passed a cigarette pack to Dissel, on which he wrote that the police had no concrete evidence against him. After his release, Boysen convinced him to volunteer into the Wehrmacht, so he could "destroy Hitler's army from within". Dissel joined the armed forces shortly before the German Invasion of Poland, and served in a military meteorology unit. At 1942, he barely avoided an arrest during the Gestapo's crackdown on the Red Orchestra. After the war, he openly joined the KPD and decided to pursue his old dream to become an actor. Dissel joined a cabaret in Wiesbaden, and in 1950 emigrated to East Germany. There he appeared in numerous plays, TV shows and movies. He worked with the Berliner Ensemble, DEFA and DFF. He continued his acting career after the reunification. In total, he appeared in more than a hundred film and television productions. He received the Art Prize of the German Democratic Republic at a collective awarding in October 1986. Source: Article "Werner Dissel" from Wikipedia in English, licensed under CC-BY-SA.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.