Allan Bosire (b. 2000)

Birthplace:
Nairobi, Kenya

Born:
July 17, 2000

Allan Bosire is an award winning trailer editor and filmmaker based in Kenya. With a passion for visual storytelling and a keen eye for detail.  In a career that spans over a decade Allan has had the opportunity to create trailers for Starz, Showmax, Maisha Magic, MGM, Safaricom. Previously he was employed as Senior Trailer Editor with Pixic Creative in Nairobi for 4 years creating trailers for some of the most widely consumed content in the world, like Creed 3, P-Valley, John Thick, Faithless and many more, garnering numerous nominations and awards.   From a micro to a macro vision, Bosire writes, produces and edits trailers with the minutia of combining the right sound effects, music and visuals, while also keeping in mind a high-level concept of the overall tone, message and story from the trailer and the campaign. That vision helps merge the creativity with commerce..leading to more clicks, longer engaging views and utlimately a memorable viewing experience that stands out from the clutter.   Directing and editing has helped him become a better storyteller

Additional information:

The Search Form


Director:
2021  Red Dusk
2021  Time Trap
2022  Cassandra
2022  Unlicensed
2025  Clean Slate
2026  AMATEUR HAWA
????  Black Suit

Editor:
2021  Red Dusk
2021  Time Trap
2022  Cassandra
2022  Unlicensed
2024  Kuyo
2025  Clean Slate
2026  AMATEUR HAWA
????  Black Suit

Executive Producer:
2021  Red Dusk
2021  Time Trap
2022  Cassandra
2022  Unlicensed
2024  Kuyo
2025  Clean Slate
2026  AMATEUR HAWA
????  Black Suit

Creative Director:
2020  Half Moon Entertainment

Creator:
2020  Half Moon Entertainment

Director:
2020  Half Moon Entertainment

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.