A work in constant progress (and occasional regress).
Birthplace:
Avellaneda, Buenos Aires, Argentina
Born:
November 11, 1991
Assistant Camera:
???? ¿Por qué te vas?
Editor:
2019 Transitory
2020 The sky above us
2022 Familiar
???? ¿Por qué te vas?
Electrician:
2017 Tierra II
2019 Transitory
2020 The sky above us
2021 The Things Where They No Longer Were
2022 Familiar
???? ¿Por qué te vas?
Focus Puller:
2017 Tierra II
2019 Transitory
2020 The sky above us
2021 The Things Where They No Longer Were
2022 Familiar
???? ¿Por qué te vas?
Online Editor:
2017 Tierra II
2019 Transitory
2020 The sky above us
2021 La encomienda
2021 The Things Where They No Longer Were
2022 Familiar
2022 Targeted
2022 The Paradise
2023 People's Cup: A Street Symphony
2024 Culpa cero
2024 Linda
2024 Nahir
2024 The Man Who Loved UFOs
???? ¿Por qué te vas?
Visual Effects Assistant Editor:
2017 Campo adentro
2017 Tierra II
2019 Transitory
2020 The sky above us
2021 La encomienda
2021 The Things Where They No Longer Were
2022 Familiar
2022 Targeted
2022 The Paradise
2023 People's Cup: A Street Symphony
2024 Culpa cero
2024 Linda
2024 Nahir
2024 The Man Who Loved UFOs
???? ¿Por qué te vas?
Assistant Editor:
2022 Señorita 89
Online Editor:
2020 El Presidente
2022 LIMBO... Until I Decide
2022 Señorita 89
2022 The Boss
2022 The End of Love
2022 Yosi, the Regretful Spy
2023 Ringo. Glory and Death
2024 Bellas artes
2024 Coppola, the Agent
2024 Senna
???? The Eternaut
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.