A work in constant progress (and occasional regress).
Federica Belletti is a film writer and producer based in the US, originally from Italy. She worked at Maven Pictures, Gamechanger Films, and in production on "Tape", "Italian Studies" (Hulu), and "Dick Johnson Is Dead" (Netflix). She joined CounterNarrative Films, the company co-founded by Anna Gerb, Neal Dodson and JC Chandor where she worked on "Triple Frontier" (Netflix), and later Film Manufacturers Inc founded by Katharina Otto-Bernstein. Belletti has produced ten award-winning narrative shorts that played at 150+ festivals worldwide, including "Refuge", featured in The New Yorker Magazine; "Nice Talking To You", a SXSW premiere; and "Ayaan" which was longlisted for an Academy Award®, won 30 awards worldwide, including an Australian Directors Guild Award and Best International Short at Show Me Shorts Festival (NZ). Belletti is an alumna of the Giffoni Film Festival, the Tribeca Film Institute, and the BAFTA Los Angeles Newcomers' Program. She holds an MFA in Creative Producing from Columbia University ('18), where she was the recipient of the HFPA Fellowship and the Arthur Krim Memorial Award For Excellence in Producing.
First Assistant Director:
2020 Last Summer with Uncle Ira
Producer:
2018 Refuge
2020 Last Summer with Uncle Ira
2022 Myth
Production Assistant:
2018 Refuge
2020 Last Summer with Uncle Ira
2020 Stud Boob
2022 Myth
Thanks:
2018 Refuge
2020 Last Summer with Uncle Ira
2020 Stud Boob
2022 Myth
Translator:
2018 Refuge
2019 Searching for Mr. Rugoff
2020 Last Summer with Uncle Ira
2020 Stud Boob
2022 Myth
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.