A work in constant progress (and occasional regress).
Birthplace:
Thành phố Hồ Chí Minh
Born:
September 11, 1986
As a freelance cinematographer mainly working in the advertising field, but with 12 years in the profession, he holds many desirable projects. Participating in filmmaking for 12 years with large and small positions in many different departments, DOP's work is Tung Bui's passion and biggest goal. His passion for movies from an early age was Hollywood movies, but Tung Bui never thought he would make movies in the future. Later, when he returned from studying abroad, Tung Bui had a friend who worked as a studio and had a need to make a music video for the singer, then he learned to edit and accepted the invitation to edit that MV. This was the first project that accidentally led him to the path of filmmaking. "In the process of learning and making me realize the importance of composition and lighting. The same action but different camera placement and lighting can create completely different stories. This to me is like an addictive drug, a “superpower” that can change the viewer's emotions and tell stories using only composition and light. From then on I knew I could not be satisfied with any other job than this." With 12 years of experience in viral TVC and music videos, Tung Bui's transition to filmmaking was also quite convenient and smooth. However, each field will have a difference, what Tung Bui finds the most different and the most difficult when switching to filmmaking is 'surpassing himself'. "When making a TVC or MV, each shot has specific requirements from the client, and it is my duty to work with the director and my own aesthetic to fulfill those requirements to satisfy the customer with the final product of the image. When making a film, me and the director become our own customers with requirements that we set ourselves. I find it much harder to please myself than others" Every project for Tung Bui was a challenge because he wanted to do better than what he had done before, the hardest request for him so far was to make a MV with just 1 continuous shot and it took him a long time, a lot of time practicing the camera and using a variety of techniques and equipment to get the camera right where you want it in a long continuous shot. "To this day, I still regret that if I had had a little more time to practice or come back for a few more takes, the shot would have been better." His first film was Naked Truth (2022), directed by Dinh Ha Uyen Thu.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.