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Tomáš Pašteka

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Film Production

Director:
2018  Krajina s vôňou medu

Director of Photography:
2018  Krajina s vôňou medu
2019  Návrat sokola

Dramaturgy:
2013  Vo vetre kopýt
2018  Krajina s vôňou medu
2019  Návrat sokola

Editor:
2013  Vo vetre kopýt
2018  Krajina s vôňou medu
2019  Návrat sokola

Executive Producer:
2013  Vo vetre kopýt
2018  Krajina s vôňou medu
2019  Návrat sokola

Music Arranger:
2013  Vo vetre kopýt
2018  Krajina s vôňou medu
2019  Návrat sokola

Producer:
2013  Vo vetre kopýt
2018  Krajina s vôňou medu
2019  Návrat sokola

Screenplay:
2013  Vo vetre kopýt
2017  Bratislava, mesto uprostred prírody
2018  Krajina s vôňou medu
2019  Návrat sokola

Sound:
2013  Vo vetre kopýt
2017  Bratislava, mesto uprostred prírody
2018  Krajina s vôňou medu
2019  Návrat sokola

Story:
2013  Vo vetre kopýt
2017  Bratislava, mesto uprostred prírody
2018  Krajina s vôňou medu
2019  Návrat sokola

Writer:
2013  Vo vetre kopýt
2017  Bratislava, mesto uprostred prírody
2018  Krajina s vôňou medu
2018  Žijem Dunajom
2019  Návrat sokola
2020  Hľadám Dunaj
2022  Príbeh krajiny lúk

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TV Production

Creator:
2021  Svet slovenských vodopádov
2023  Pralesy Slovenska

Director:
2021  Svet slovenských vodopádov
2023  Pralesy Slovenska

Editor:
2021  Svet slovenských vodopádov
2023  Pralesy Slovenska

Sound:
2021  Svet slovenských vodopádov
2023  Pralesy Slovenska

Writer:
2021  Svet slovenských vodopádov
2023  Pralesy Slovenska

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.