A work in constant progress (and occasional regress).
Co-Producer:
2022 Eviction
Director:
2016 Masquerade
2018 Semicolon
2019 Time Step
2020 Group Chat
2022 Eviction
Editor:
2016 Masquerade
2018 Semicolon
2019 Time Step
2020 Group Chat
2022 Eviction
First Assistant Director:
2016 Masquerade
2018 Semicolon
2019 Time Step
2020 Group Chat
2021 An Afternoon
2022 Eviction
2022 Hope Valley
Producer:
2016 Masquerade
2018 Semicolon
2018 The Narrator
2019 Time Step
2020 Group Chat
2021 An Afternoon
2022 Eviction
2022 Hope Valley
2024 End of Infinity
Production Manager:
2016 Masquerade
2018 Semicolon
2018 The Narrator
2019 Time Step
2020 Group Chat
2021 An Afternoon
2022 Curiouser
2022 Eviction
2022 Hope Valley
2024 End of Infinity
Writer:
2016 Masquerade
2018 Semicolon
2018 The Narrator
2019 Time Step
2020 Group Chat
2021 An Afternoon
2022 Curiouser
2022 Eviction
2022 Hope Valley
2024 End of Infinity
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.