Mimi Uchendu

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Miracle Princess Uchendu better known as Mimi is a Nigerian-born upcoming filmmaker currently based in Canada. She has a passion for storytelling and has worked on several student short films as well as a few independent films and documentaries, showcasing her creative and artistic talents. she has a background in broadcasting, having started her career in Nigeria before moving to Canada. Her experience in broadcasting has exposed her to the world of media production, which she now leverages in her filmmaking.  Over the years, Mimi has developed a unique style that connects with audiences on a deeper level. Her films often explore themes of identity and social issues. She uses her storytelling skills to bring characters to life, and her camera work to create her own eccentric visual style. She has honed her skills by writing , directing , shooting and editing her films.  Her passion for cinema continues to grow as she enjoys operating the camera and working as a grip when off-screen. Outside of filmmaking, Mimi loves experimenting with different cuisines and can often be found in the kitchen cooking up a storm or mixing a delicious drink. She continues to push boundaries and aims to make films that engage, inspire, inform and entertain audiences.

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Assistant Camera:
2022  So Cold

Assistant Editor:
2022  So Cold
2022  The Pinch

Camera Operator:
2022  So Cold
2022  The Pinch
2023  Shanawdithit: A Beothuk Story

Cinematography:
2022  So Cold
2022  The Pinch
2023  Shanawdithit: A Beothuk Story
2023  Torn

Director:
2022  So Cold
2022  The Pinch
2023  Shanawdithit: A Beothuk Story
2023  Torn

Director of Photography:
2021  The Bottle
2022  So Cold
2022  The Pinch
2023  Shanawdithit: A Beothuk Story
2023  Torn

Gaffer:
2021  The Bottle
2022  So Cold
2022  The Pinch
2023  Shanawdithit: A Beothuk Story
2023  Torn

Grip:
2021  The Bottle
2022  So Cold
2022  The Pinch
2023  Shanawdithit: A Beothuk Story
2023  Torn

Key Grip:
2021  The Bottle
2022  So Cold
2022  The Pinch
2023  Shanawdithit: A Beothuk Story
2023  Torn

Public Relations:
2021  The Bottle
2022  So Cold
2022  The Pinch
2023  Shanawdithit: A Beothuk Story
2023  Torn

Set Decoration:
2021  The Bottle
2022  So Cold
2022  The Pinch
2023  Shanawdithit: A Beothuk Story
2023  Torn

Set Dressing Production Assistant:
2021  The Bottle
2022  So Cold
2022  The Pinch
2023  Shanawdithit: A Beothuk Story
2023  Torn

Writer:
2021  The Bottle
2022  So Cold
2022  The Pinch
2023  Shanawdithit: A Beothuk Story
2023  Torn

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.