A work in constant progress (and occasional regress).
Miracle Princess Uchendu better known as Mimi is a Nigerian-born upcoming filmmaker currently based in Canada. She has a passion for storytelling and has worked on several student short films as well as a few independent films and documentaries, showcasing her creative and artistic talents. she has a background in broadcasting, having started her career in Nigeria before moving to Canada. Her experience in broadcasting has exposed her to the world of media production, which she now leverages in her filmmaking. Over the years, Mimi has developed a unique style that connects with audiences on a deeper level. Her films often explore themes of identity and social issues. She uses her storytelling skills to bring characters to life, and her camera work to create her own eccentric visual style. She has honed her skills by writing , directing , shooting and editing her films. Her passion for cinema continues to grow as she enjoys operating the camera and working as a grip when off-screen. Outside of filmmaking, Mimi loves experimenting with different cuisines and can often be found in the kitchen cooking up a storm or mixing a delicious drink. She continues to push boundaries and aims to make films that engage, inspire, inform and entertain audiences.
Assistant Camera:
2022 So Cold
Assistant Editor:
2022 So Cold
2022 The Pinch
Camera Operator:
2022 So Cold
2022 The Pinch
2023 Shanawdithit: A Beothuk Story
Cinematography:
2022 So Cold
2022 The Pinch
2023 Shanawdithit: A Beothuk Story
2023 Torn
Director:
2022 So Cold
2022 The Pinch
2023 Shanawdithit: A Beothuk Story
2023 Torn
Director of Photography:
2021 The Bottle
2022 So Cold
2022 The Pinch
2023 Shanawdithit: A Beothuk Story
2023 Torn
Gaffer:
2021 The Bottle
2022 So Cold
2022 The Pinch
2023 Shanawdithit: A Beothuk Story
2023 Torn
Grip:
2021 The Bottle
2022 So Cold
2022 The Pinch
2023 Shanawdithit: A Beothuk Story
2023 Torn
Key Grip:
2021 The Bottle
2022 So Cold
2022 The Pinch
2023 Shanawdithit: A Beothuk Story
2023 Torn
Public Relations:
2021 The Bottle
2022 So Cold
2022 The Pinch
2023 Shanawdithit: A Beothuk Story
2023 Torn
Set Decoration:
2021 The Bottle
2022 So Cold
2022 The Pinch
2023 Shanawdithit: A Beothuk Story
2023 Torn
Set Dressing Production Assistant:
2021 The Bottle
2022 So Cold
2022 The Pinch
2023 Shanawdithit: A Beothuk Story
2023 Torn
Writer:
2021 The Bottle
2022 So Cold
2022 The Pinch
2023 Shanawdithit: A Beothuk Story
2023 Torn
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.