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Miguel Leal Costa (b. 2001)

Alias:
Miguel Costa

Birthplace:
Portugal

Born:
April 13, 2001

Biography from TheMovieDB

Miguel Leal Costa is an Portuguese Steadicam Operator.  He studied Cinema, Video and Multimedia Communication at the Lusófona University of Humanities and Technologies, in Lisbon.  In 2023 completed a Tiffen Steadicam Gold Workshop in Tuscany, Italy by 'Steadicam Action' with lead instructor Chris Fawcett and special remote presence from Steadicam inventor Garrett Brown. Works as a Steadicam Operator for cinema, music videos, advertising. Also works as first camera assistant or focus puller and on special projects, as a cinematographer.

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Additional information:

The Search Form


Film Production

Assistant Camera:
2022  Vanette

Best Boy Lighting Technician:
2022  Vanette
2023  Daughters of the Fatherland

Cinematography:
2022  (In)Sight
2022  Baía de Luanda
2022  Vanette
2023  Daughters of the Fatherland
2023  O outro lado da fruta

Color Grading:
2022  (In)Sight
2022  Baía de Luanda
2022  Vanette
2023  Daughters of the Fatherland
2023  O outro lado da fruta

Director:
2022  (In)Sight
2022  Baía de Luanda
2022  Vanette
2023  Daughters of the Fatherland
2023  O outro lado da fruta

First Assistant Camera:
2022  (In)Sight
2022  Baía de Luanda
2022  Vanette
2023  Cliché
2023  Daughters of the Fatherland
2023  O outro lado da fruta

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.