A work in constant progress (and occasional regress).
Birthplace:
Ireland
Die Hexen is an Irish composer, visual artist and filmmaker. She is best known for composing the films A Bump Along the Way (2019), You Are Not My Mother (2021), Double Blind (2023) and Fréwaka (2024).
Music:
2024 Tales from the Void: Plastic Smile
Original Music Composer:
2016 Pollen
2018 El Hor
2018 Stigma
2019 A Bump Along the Way
2020 Arena
2020 Eye Exam
2020 Saul & I
2020 She Lives Alone
2021 Signal
2021 Space to Be
2022 Water Under the Bridge
2022 You Are Not My Mother
2023 Taste
2023 Trouble
2023 Uroboros
2024 Double Blind
2024 Gardening
2024 Inside, The Valley Sings
2024 Tales from the Void: Carry
2024 Tales from the Void: Plastic Smile
2025 Fréwaka
2025 Night Driver
Sound Designer:
2016 Pollen
2018 El Hor
2018 Stigma
2019 A Bump Along the Way
2019 Welcome to a White Bright Limbo
2020 Arena
2020 Eye Exam
2020 Saul & I
2020 She Lives Alone
2021 Signal
2021 Space to Be
2022 Lamb
2022 Water Under the Bridge
2022 You Are Not My Mother
2023 Taste
2023 Trouble
2023 Uroboros
2024 Double Blind
2024 Gardening
2024 Inside, The Valley Sings
2024 Tales from the Void: Carry
2024 Tales from the Void: Plastic Smile
2025 Fréwaka
2025 Night Driver
Still Photographer:
2016 Pollen
2018 El Hor
2018 Stigma
2019 A Bump Along the Way
2019 Welcome to a White Bright Limbo
2020 Arena
2020 Eye Exam
2020 Saul & I
2020 She Lives Alone
2021 Signal
2021 Space to Be
2022 Lamb
2022 Water Under the Bridge
2022 You Are Not My Mother
2023 Taste
2023 Trouble
2023 Uroboros
2024 Double Blind
2024 Gardening
2024 Inside, The Valley Sings
2024 Tales from the Void: Carry
2024 Tales from the Void: Plastic Smile
2025 Fréwaka
2025 Night Driver
Original Music Composer:
2020 Bite Size Halloween
2024 Tales from the Void
2025 Video Nasty
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.