Garrett Palm

Alias:
Garret Palm

Garrett Palm is the show-runner and co-host of the hit Youtube show Eat It or Yeet It on Smosh. He is a Los Angeles based creative producer, director, show-runner, actor, host, podcaster, and writer: a true multi-hyphenate. Originally from Portland, OR (which explains all the Earth tones), Garrett leads from a place of kindness and empathy, spurred on by the belief that people do their best work when they feel safe.  Domestically, Garrett has produced, directed, and show-run for Smosh, UPROXX, and Misfits Gaming Group, working with clients like Ubisoft, Activision, Warner Brothers, Pandora Jewelry, among others. Garrett has also had the pleasure of producing several projects internationally including a travel show highlighting the locations in Assassin’s Creed: Origins in and around Cairo, a program for Malian television at The Festival In The Desert in Timbuktu, and 7 years of stage shows for musical improv comedy troupe Baby Wants Candy in Edinburgh, London, Adelaide, and Reykjavik. Garrett has a BA in Theater from Principia College. He studied and performed improv at the Magnet and UCB Theaters in New York and has taught improv around the world. He co-founded Kickstand Comedy Theater in Portland, OR. Garrett has lived many lives: he’s been a Ranch Hand in Colorado, a Hedge Fund assistant on Wall Street, an improv teacher to business students in Copenhagen, a travel photographer for a small paper, a Barista in the East Village, NY, but the best life by far was the one in which he was choked out by Danny Trejo for making bad tacos.

Additional information:

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Key Production Assistant:
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Story Consultant:
2019  Game Changer

Writer:
2019  Game Changer
2023  Tabletop News

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.