A work in constant progress (and occasional regress).
Joel DeCandio is an actor living in New York City and working internationally in theatre and independent cinema. He made his film debut starring in Kenya Gillespie's 16 mm tone poem Give (Special Jury Mention: Kashish Mumbai 2024; Best International: NRFF Amsterdam 2024), followed by All the Rest Is Noise (PHYNEfilms, Berlin), He Won’t Belong, and Delicious (Official Selection: Austin Film Festival 2024; New York Latino Film Festival 2024). He has recently wrapped shooting on Fixed Memory and the psychological thriller Stickup. Prior to his work in film, he appeared on stage in multiple productions of Cymbeline and A Midsummer Night's Dream, as well as The Tempest, Tennessee Williams' The Rose Tattoo, Twelfth Night at Folger Shakespeare Theatre, and Antony & Cleopatra with the National Theatre of Ghana and artists of the Ankara State Theatre in Turkiye. His duo show with Bligh Voth--hailed as “funny and sexy” and “excitingly electric--has been recommended by Time Out New York. In addition to his work as an actor, Joel has served as both a creative consultant and producer on films like Catalina (Official Selection: Outfest and NewFest) and Transumanza (Eroin Films, Republique francaise). Outside his work, he is an active swimmer and boxer. Joel DeCandio is a member of Actors' Equity and the Screen Actors Guild.
Associate Producer:
???? Transumanza
Executive Producer:
2022 Catalina
???? Transumanza
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.