A work in constant progress (and occasional regress).
Birthplace:
Berlin, Germany
Born:
April 30, 1899
Died:
July 18, 1976
From Wikipedia, the free encyclopedia. Lucie Mannheim (30 April 1899 – 28 July 1976) was a German singer and actress. Mannheim was born in Berlin–Köpenick where she studied drama and quickly became a popular figure appearing on stage in plays and musicals. Among other roles, she played Nora in Ibsen's A Doll's House, Marie in Büchner's Woyzeck, and Juliet in Shakespeare's Romeo and Juliet. She also began a film career in 1923, appearing in several silent and sound films including Atlantik (1929) – the first of many versions of the story of the ill-fated RMS Titanic. The composer Walter Goetze wrote his operetta Die göttliche Jette (1931) especially for Mannheim. However, as a Jew she was obliged to stop acting in 1933, when her contract at the State Theatre was cancelled. She promptly left Germany, first to Czechoslovakia, then to Britain. She appeared in several films there, notably as the doomed spy Annabella Smith in Alfred Hitchcock's 1935 version of The 39 Steps. During World War II she appeared in several films, as well as broadcasting propaganda to Germany – including performing an anti-Hitler version of Lili Marleen in 1943. In 1941, she married the actor Marius Goring. She returned to Germany in 1948 and resumed her career as an actress on stage and in film. In 1955 she joined the cast of the British television series The Adventures of the Scarlet Pimpernel as Countess La Valliere. She made her final English-language film appearance in the 1965 film Bunny Lake Is Missing. Her last appearance was in a 1970 TV movie. She died in Braunlage. Description above from the Wikipedia article Lucie Mannheim, 1st Baron Tweedsmuir, licensed under CC-BY-SA,full list of contributors on Wikipedia.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.