A work in constant progress (and occasional regress).
Birthplace:
Buenos Aires, Argentina
Born:
October 16, 2003
Assistant Director:
2023 Es Gourmet
Camera Operator:
2021 La Paja
2022 La Máscara de la Peste
2022 Trío
2023 And what do you think doc?
2023 Es Gourmet
2023 Whisper's counterpoint
Director:
2021 1 minute in life
2021 La Paja
2021 Positivo
2022 La Máscara de la Peste
2022 Saquemos Reyes
2022 Trío
2023 And what do you think doc?
2023 Es Gourmet
2023 Whisper's counterpoint
2024 Cenizas pasajeras
Director of Photography:
2021 1 minute in life
2021 La Paja
2021 Positivo
2022 Dos y un Sueño
2022 La Máscara de la Peste
2022 Saquemos Reyes
2022 Trío
2023 And what do you think doc?
2023 Es Gourmet
2023 Whisper's counterpoint
2024 Cenizas pasajeras
Editor:
2021 1 minute in life
2021 La Paja
2021 Positivo
2022 Dos y un Sueño
2022 La Máscara de la Peste
2022 Saquemos Reyes
2022 Trío
2023 And what do you think doc?
2023 Es Gourmet
2023 Whisper's counterpoint
2024 Cenizas pasajeras
Producer:
2021 1 minute in life
2021 La Paja
2021 Positivo
2022 Dos y un Sueño
2022 La Máscara de la Peste
2022 Saquemos Reyes
2022 Trío
2023 And what do you think doc?
2023 Es Gourmet
2023 Whisper's counterpoint
2024 Cenizas pasajeras
2024 Un Cadaver en el Departamento
Script:
2021 1 minute in life
2021 La Paja
2021 Positivo
2022 Dos y un Sueño
2022 La Máscara de la Peste
2022 Saquemos Reyes
2022 Trío
2023 And what do you think doc?
2023 Es Gourmet
2023 Whisper's counterpoint
2024 Cenizas pasajeras
2024 Un Cadaver en el Departamento
Writer:
2021 1 minute in life
2021 La Paja
2021 Positivo
2022 Dos y un Sueño
2022 La Máscara de la Peste
2022 Saquemos Reyes
2022 Trío
2023 And what do you think doc?
2023 Es Gourmet
2023 Whisper's counterpoint
2024 Cenizas pasajeras
2024 Un Cadaver en el Departamento
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.