A work in constant progress (and occasional regress).
Steve was born in Cork Ireland where he lives today. He is a graduate of USM in Maine. In 2015 set up Deep Red Productions with three of his friends. Steve has worked primarily as a producer but has also written and directed feature films and documentaries and a number of short films and music videos many of which have gone on to win awards around the world. His interest in film began really with his father when he would join him at sea (his father worked in the merchant navy and Steve spent many months growing up at sea) where to pass the time he would watch films and read. He is a huge fan of both Horror and comedy and along with a group of like minded individuals run Spookscreen a leading horror film festival in Ireland. He also teaches at the local film college and is a full member of IFTA. Outside of film Steve has in the past worked as a journalist and on radio. Steve is also very active within his community and both coaches and sits on the board of his local soccer club.
Assistant Director:
2023 Down A Cent
Associate Producer:
2023 Down A Cent
2025 Tim and Tim and Tim, Again
Co-Producer:
2023 Down A Cent
2025 Tim and Tim and Tim, Again
Director:
2023 Down A Cent
2023 Good To Talk
2024 A Hell of a Difference
2024 Returning
2025 Inheritance
2025 Rewound Up
2025 Tim and Tim and Tim, Again
Editor:
2023 Down A Cent
2023 Good To Talk
2024 A Hell of a Difference
2024 Returning
2025 Inheritance
2025 Rewound Up
2025 Tim and Tim and Tim, Again
Executive Producer:
2023 Down A Cent
2023 Good To Talk
2024 A Hell of a Difference
2024 Returning
2024 Torn
2025 Inheritance
2025 Rewound Up
2025 Tim and Tim and Tim, Again
First Assistant Director:
2023 Down A Cent
2023 Good To Talk
2023 Monochrome Menace!!
2024 A Hell of a Difference
2024 Returning
2024 Torn
2025 Inheritance
2025 Rewound Up
2025 Tim and Tim and Tim, Again
Producer:
2017 Bliain
2017 Dead Air
2023 Down A Cent
2023 Good To Talk
2023 Monochrome Menace!!
2024 A Hell of a Difference
2024 Returning
2024 Torn
2025 Inheritance
2025 Rewound Up
2025 Tim and Tim and Tim, Again
Production Assistant:
2017 Bliain
2017 Dead Air
2023 Down A Cent
2023 Good To Talk
2023 Monochrome Menace!!
2024 A Hell of a Difference
2024 Returning
2024 Torn
2025 Inheritance
2025 Rewound Up
2025 Tim and Tim and Tim, Again
Production Manager:
2017 Bliain
2017 Dead Air
2022 Queens Gold
2023 Down A Cent
2023 Good To Talk
2023 Monochrome Menace!!
2024 A Hell of a Difference
2024 Returning
2024 Torn
2025 Inheritance
2025 Rewound Up
2025 Tim and Tim and Tim, Again
Writer:
2017 Bliain
2017 Dead Air
2022 Queens Gold
2023 Down A Cent
2023 Good To Talk
2023 Monochrome Menace!!
2024 A Hell of a Difference
2024 Returning
2024 Torn
2025 Inheritance
2025 Rewound Up
2025 Tim and Tim and Tim, Again
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.