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Mari-Ann Kelam (b. 1946)

Born:
June 26, 1946

Biography from TheMovieDB

Mari-Ann Kelam (maiden name Dotsenko, first married Rikken; born June 26, 1946 in the Ansbach refugee camp in Germany) is an Estonian politician. She has been a member of Pro Patria Union.  From 1950, she lived as a refugee in the United States, first in Ohio and later in Washington.  She began his political career as secretary of the Estonian Committee for Assistance to Imprisoned Freedom Fighters in 1984–1989.  She has been living in Estonia since 1993. From 1993 to 1996 she was a spokesman for the Ministry of Foreign Affairs, and from 1996 to 1999 she was the foreign secretary of the Patriotic Union.  She was a member of the IX Riigikogu in 1999–2003 and the XI Riigikogu in 2009–2011.  Kelam has also been a member of the board of Isamaaliit and is a member of the board of Viimsi region of Isamaa and vice chairman of Viimsi rural municipality council.

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Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.