A work in constant progress (and occasional regress).
Sasha Myshkina is an independent British director, screenwriter, experimental filmmaker and multimedia artist based in New York City. Myshkina's installation films have garnered critical acclaim in the UK and her screenplays have led her to be recognized around the globe. Her films are often characterized by their sharp writing, distinct visuals and carefully-crafted surrealism.
Assistant Editor:
2022 Who Are You?
Co-Director:
2022 Who Are You?
Colorist:
2022 Call Me
2022 Who Are You?
Director:
2020 Untitled
2021 Everything and Nothing at the Same Time
2021 Existentiality
2021 Hiking
2021 Shape&Space
2021 Time/No Time
2022 137.7
2022 Call Me
2022 City Center
2022 Experiments in the Dark
2022 Seventeen Hours
2022 Who Are You?
2023 Blue Hour
2023 Futura
2024 Forest
Director of Photography:
2020 Untitled
2021 Everything and Nothing at the Same Time
2021 Existentiality
2021 Hiking
2021 Shape&Space
2021 Time/No Time
2022 137.7
2022 Call Me
2022 City Center
2022 Experiments in the Dark
2022 Seventeen Hours
2022 Who Are You?
2023 Blue Hour
2023 Futura
2024 Forest
Editor:
2020 Untitled
2021 Everything and Nothing at the Same Time
2021 Existentiality
2021 Hiking
2021 Shape&Space
2021 Time/No Time
2022 137.7
2022 Call Me
2022 City Center
2022 Experiments in the Dark
2022 Seventeen Hours
2022 Who Are You?
2023 Blue Hour
2023 Futura
2024 Forest
Producer:
2020 Untitled
2021 Everything and Nothing at the Same Time
2021 Existentiality
2021 Hiking
2021 Shape&Space
2021 Time/No Time
2022 137.7
2022 Call Me
2022 City Center
2022 Experiments in the Dark
2022 Seventeen Hours
2022 Who Are You?
2023 Blue Hour
2023 Futura
2024 Forest
Set Designer:
2020 Untitled
2021 Everything and Nothing at the Same Time
2021 Existentiality
2021 Hiking
2021 Shape&Space
2021 Time/No Time
2022 137.7
2022 Call Me
2022 City Center
2022 Experiments in the Dark
2022 Seventeen Hours
2022 Who Are You?
2023 Blue Hour
2023 Futura
2024 Forest
Storyboard Artist:
2020 Untitled
2021 Everything and Nothing at the Same Time
2021 Existentiality
2021 Hiking
2021 Shape&Space
2021 Time/No Time
2022 137.7
2022 Call Me
2022 City Center
2022 Experiments in the Dark
2022 Seventeen Hours
2022 Who Are You?
2023 Blue Hour
2023 Futura
2024 Forest
Stunt Coordinator:
2020 Untitled
2021 Everything and Nothing at the Same Time
2021 Existentiality
2021 Hiking
2021 Shape&Space
2021 Time/No Time
2022 137.7
2022 Call Me
2022 City Center
2022 Experiments in the Dark
2022 Seventeen Hours
2022 Who Are You?
2023 Blue Hour
2023 Futura
2024 Forest
Visual Effects Editor:
2020 Untitled
2021 Everything and Nothing at the Same Time
2021 Existentiality
2021 Hiking
2021 Shape&Space
2021 Time/No Time
2022 137.7
2022 Call Me
2022 City Center
2022 Experiments in the Dark
2022 Seventeen Hours
2022 Who Are You?
2023 Blue Hour
2023 Futura
2024 Forest
Writer:
2020 Untitled
2021 Everything and Nothing at the Same Time
2021 Existentiality
2021 Hiking
2021 Shape&Space
2021 Time/No Time
2022 137.7
2022 Call Me
2022 City Center
2022 Experiments in the Dark
2022 Seventeen Hours
2022 Who Are You?
2023 Blue Hour
2023 Futura
2024 Forest
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.