A work in constant progress (and occasional regress).
is a Los Angeles-based, first-generation, Caribbean-American filmmaker. Primarily self-taught, his practice focuses on themes of migration, visibility and dual identities. LeBlanc was one of Filmmaker Magazine’s 25 New Faces of Independent Film in 2023 and a 2024 Fellow at the Dolby Institute. His debut narrative film, Civic (2022), an introspective short film about homecoming, was named one of The Best Movies of 2023 by The New Yorker. It was awarded by both the jury and the audience at Indie Memphis Film Festival and New Orleans Film Festival. The film was selected for Berlinale International Film Festival’s Short Form Station and for IFFR 2023, continuing to screen at international film festivals and art institutions worldwide, including Lincoln Center, MoMA and the Berkeley Academy Museum, amongst many others. Civic has been acquired by the film studies department at Harvard University and is distributed on the Criterion Channel.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.