A work in constant progress (and occasional regress).
Birthplace:
Michalovce, Slovakia
Born:
May 29, 2001
Filip Tkáč (29/05/2001) is a Slovakian filmmaker specializing in post-production sound who also occasionally steps into the role of a producer and a writer. He studied at Falmouth University where he graduated from the Film BA (Hons) Course in 2023, and has recently co-founded a production company called ABSTRAKT 89.
Cinematography:
2021 Anywhere You Are
Director:
2021 Anywhere You Are
2021 Spectres
2022 The Art of Animation: Where Do Ideas Come From?
Executive Producer:
2021 Anywhere You Are
2021 Spectres
2022 The Art of Animation: Where Do Ideas Come From?
2023 Conti
Producer:
2021 Anywhere You Are
2021 Spectres
2022 The Art of Animation: Where Do Ideas Come From?
2023 Conti
Sound:
2021 Anywhere You Are
2021 Spectres
2022 Don't Feed the Horses
2022 Gorkow
2022 Off-Key
2022 The Art of Animation: Where Do Ideas Come From?
2023 Conti
2023 Saints of the Night
2023 The Attune Project
2023 Topless
Sound Mixer:
2021 Anywhere You Are
2021 Spectres
2022 Don't Feed the Horses
2022 Gorkow
2022 Off-Key
2022 The Art of Animation: Where Do Ideas Come From?
2023 Conti
2023 I Am Kevin
2023 Saints of the Night
2023 The Attune Project
2023 Topless
Sound Recordist:
2021 Anywhere You Are
2021 Spectres
2022 Don't Feed the Horses
2022 Gorkow
2022 Off-Key
2022 The Art of Animation: Where Do Ideas Come From?
2023 Conti
2023 I Am Kevin
2023 Saints of the Night
2023 The Attune Project
2023 Topless
Writer:
2021 Anywhere You Are
2021 Spectres
2022 Don't Feed the Horses
2022 Gorkow
2022 Off-Key
2022 The Art of Animation: Where Do Ideas Come From?
2023 Conti
2023 I Am Kevin
2023 Saints of the Night
2023 The Attune Project
2023 Topless
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.