A work in constant progress (and occasional regress).
Birthplace:
Quito, Ecuador
Emmanuel Blanchard, (Quito, 1984) is an editor, screenwriter and director. He studied Cinema at University Paris1 Panthéon-Sorbonne. He directed five student shorts films before working as an editor and post-producer in features such as No Autumn, No Spring (2012) The Great Grandmother has Alzheimer (2012) Alfaro Vive Carajo (2015), Instantánea (2016), My Aunt Toty (2016), Siguiente Round (2018), Yo, Isabel (2019), The Beach of Enchaquirados (2021). He is currently an associate producer of La República Invisible and is directing his first feature-length documentary, Motorcycle Fever.
Cinematography:
2021 Matilde
Co-Editor:
2016 Instantánea
2021 Matilde
Colorist:
2015 Alfaro Vive Carajo
2016 Instantánea
2021 Matilde
Director:
2015 Alfaro Vive Carajo
2016 Instantánea
2020 Diferencias
2021 Matilde
???? Motorcycle Fever
Editor:
2012 La bisabuela tiene Alzheimer
2015 Alfaro Vive Carajo
2016 Instantánea
2020 Diferencias
2021 Matilde
2021 The Beach of Enchaquirados
2022 Por Magda
???? Motorcycle Fever
Producer:
2012 La bisabuela tiene Alzheimer
2015 Alfaro Vive Carajo
2016 Instantánea
2020 Diferencias
2021 Matilde
2021 The Beach of Enchaquirados
2022 Por Magda
???? Motorcycle Fever
Writer:
2012 La bisabuela tiene Alzheimer
2015 Alfaro Vive Carajo
2016 Instantánea
2020 Diferencias
2021 Matilde
2021 The Beach of Enchaquirados
2022 Por Magda
???? Motorcycle Fever
Director:
2014 39-45, de la France occupée à la France libérée
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.