A work in constant progress (and occasional regress).
Alias:
黄树立
Birthplace:
Wenzhou, Zhejiang, China
Born:
March 17, 1997
Shuli Huang is a Chinese writer, director, and cinematographer living in New York. His short film, Will You Look At Me, premiered at the 61st Semaine de la Critique where it was awarded the Queer Palm of Festival de Cannes 2022, and went on to win the Short Film Jury Award at Sundance Film Festival 2023. Goodbye First Love, his latest short film premiered in competition at Berlinale Shorts 2024. He has worked as a cinematographer on several feature films, including Farewell, My Hometown, which won the New Currents Award at Busan International Film Festival 2021, and Borrowed Time, selected for International Film Festival Rotterdam 2024. Shuli studied cinematography at the Beijing Film Academy and film directing in the Graduate Film Program at New York University.
Cinematography:
2019 Unstoppable
2022 Will You Look at Me
2024 Where Time Stood Still
Director:
2019 Unstoppable
2021 Exposed
2022 Will You Look at Me
2024 Goodbye First Love
2024 Where Time Stood Still
Director of Photography:
2019 Unstoppable
2021 Exposed
2021 Farewell, My Hometown
2022 Will You Look at Me
2023 A FALLEN FALL
2024 Borrowed Time
2024 Goodbye First Love
2024 Reflection
2024 Where Time Stood Still
Editor:
2019 Unstoppable
2021 Exposed
2021 Farewell, My Hometown
2022 Will You Look at Me
2023 A FALLEN FALL
2024 Borrowed Time
2024 Goodbye First Love
2024 Reflection
2024 Where Time Stood Still
Producer:
2019 Unstoppable
2021 Exposed
2021 Farewell, My Hometown
2022 Will You Look at Me
2023 A FALLEN FALL
2024 Borrowed Time
2024 Goodbye First Love
2024 Reflection
2024 Where Time Stood Still
Writer:
2019 Unstoppable
2021 Exposed
2021 Farewell, My Hometown
2022 Will You Look at Me
2023 A FALLEN FALL
2024 Borrowed Time
2024 Goodbye First Love
2024 Reflection
2024 Where Time Stood Still
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.