A work in constant progress (and occasional regress).
Birthplace:
The Netherlands
Born:
July 27, 2001
Eloi Roobol is a filmmaker under the name of "Eloi du Cinema". In 2019 he founded his production company "Du Cinema" after studying Film and Literary Sciences at university in The Netherlands. Over the years he has produced a variety of music videos with HipHop artists in Europe and has gained popularity through his YouTube channel, where he shares insightful video essays about the art of cinema.
Camera Trainee:
2023 Occupied City
Cinematography:
2018 The Invisible Beauty
2019 Salmon of Knowledge
2023 Occupied City
Director:
2018 The Invisible Beauty
2019 Salmon of Knowledge
2022 The Art of Liminal Spaces
2023 Occupied City
Editor:
2018 The Invisible Beauty
2019 Salmon of Knowledge
2022 The Art of Liminal Spaces
2023 Occupied City
Writer:
2018 The Invisible Beauty
2019 Salmon of Knowledge
2022 The Art of Liminal Spaces
2023 Occupied City
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.