A work in constant progress (and occasional regress).
Alias:
John Nestor
Nestor Almendros
Néstor Almendros Cuyás
Birthplace:
Barcelona, Barcelona, Catalonia, Spain
Born:
October 30, 1930
Died:
March 4, 1992
Néstor Almendros Cuyás (30 October 1930 – 4 March 1992) was a Spanish cinematographer. One of the most highly appraised contemporary cinematographers, "Almendros was an artist of deep integrity, who believed the most beautiful light was natural light...he will always be remembered as a cinematographer of absolute truth...a true master of light". Néstor Almendros Cuyás was born in Barcelona, Spain, but at 18 moved to Cuba to join his exiled anti-Francisco Franco father. In Havana, he wrote film reviews. Then he went on to study in Rome at the Centro Sperimentale di Cinematografia. He directed six shorts in Cuba and two in New York City. After the 1959 Cuban Revolution, he returned and made several documentaries for the Castro regime. But after two of his shorts (Gente en la playa and La tumba francesa) were banned, he moved to Paris. Starting in 1964, he became the favorite collaborator of French New Wave director Éric Rohmer. In the early seventies he also started working with François Truffaut, Barbet Schroeder and other directors. Almendros began his Hollywood career with Days of Heaven (1978), written and directed by Terrence Malick, who admired Almendros' work on The Wild Child (1970). Almendros was impressed by Malick's knowledge of photography and his willingness to use little studio lighting. The film's cinematography was modeled after silent films, which often used natural light. In 1979, Almendros won the Academy Award for Best Cinematography for Days of Heaven. Almendros received three further Academy Award nominations for his work on Kramer vs. Kramer (1979), The Blue Lagoon (1980) and Sophie's Choice (1982), making him the most nominated Spanish person in Academy history as of the 93rd Academy Awards in 2021. Almendros was the cinematographer for the John Lennon documentary, Imagine: John Lennon (1988), directed by Andrew Solt. In his later years, Almendros co-directed two documentaries about the human rights situation in Cuba: Mauvaise Conduite (1984) (Improper Conduct) about the persecution of gay people in Cuba; and Nadie escuchaba (Nobody Was Listening), about the alleged arrest, imprisonment and torture of former comrades of Fidel Castro. He also shot several prestigious advertisements for Giorgio Armani (directed by Martin Scorsese), Calvin Klein (directed by Richard Avedon) and Freixenet. Human Rights Watch International has named an award after him by establishing the Nestor Almendros Award for Courage in Filmmaking and it is given every year at the Human Rights Watch International Film Festival. In 1980, Almendros won the César Award for François Truffaut's The Last Metro. In 1992, Néstor Almendros died of AIDS-related lymphoma in New York City at the age of 61. Source: Article "Néstor Almendros" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Art Direction:
1969 More
Assistant Camera:
1966 Santa Claus Has Blue Eyes
1969 More
Assistant Director:
1965 Six in Paris
1966 Santa Claus Has Blue Eyes
1969 More
Camera Operator:
1965 Six in Paris
1966 Santa Claus Has Blue Eyes
1968 Retour d'Henri Langlois à Paris
1969 More
1977 The Man Who Loved Women
Director:
1950 A Daily Mix-up
1960 People at the Beach
1965 Six in Paris
1966 Santa Claus Has Blue Eyes
1968 Retour d'Henri Langlois à Paris
1969 More
1977 The Man Who Loved Women
1984 Improper Conduct
1987 Nobody Listened
Director of Photography:
1950 A Daily Mix-up
1959 Cooperativas Agropecuarias
1959 El Tomate
1960 General Assembly
1960 People at the Beach
1964 Nadja in Paris
1965 Place de l'Étoile
1965 Saint-Germain-des-Prés
1965 Six in Paris
1966 A Modern Coed
1966 Santa Claus Has Blue Eyes
1967 A Farmer in Montfaucon
1967 La Collectionneuse
1968 Retour d'Henri Langlois à Paris
1968 The Wild Racers
1969 More
1969 My Night at Maud's
1969 The Gun Runner
1970 Bed and Board
1970 Claire's Knee
1970 The Wild Child
1971 Make-up
1971 Pork with Sweet Potatoes
1971 Sing Sing
1971 Two English Girls
1972 Love in the Afternoon
1972 The Valley
1974 Cockfighter
1974 General Idi Amin Dada
1974 My Little Loves
1974 The Mouth Agape
1975 The Story of Adele H.
1976 Maîtresse
1976 The Marquise of O
1977 Change of Sex
1977 Entire Days in the Trees
1977 Madame Rosa
1977 The Man Who Loved Women
1978 Days of Heaven
1978 Goin' South
1978 Koko: A Talking Gorilla
1978 Perceval
1978 The Green Room
1979 Kramer vs. Kramer
1979 Love on the Run
1980 The Blue Lagoon
1980 The Last Metro
1982 Sophie's Choice
1982 Still of the Night
1983 Confidentially Yours
1983 Pauline at the Beach
1984 Improper Conduct
1984 Places in the Heart
1986 Heartburn
1987 Nadine
1987 Nobody Listened
1989 New York Stories
1990 Made in Milan
1991 Billy Bathgate
Writer:
1950 A Daily Mix-up
1959 Cooperativas Agropecuarias
1959 El Tomate
1960 General Assembly
1960 People at the Beach
1964 Nadja in Paris
1965 Place de l'Étoile
1965 Saint-Germain-des-Prés
1965 Six in Paris
1966 A Modern Coed
1966 Santa Claus Has Blue Eyes
1967 A Farmer in Montfaucon
1967 La Collectionneuse
1968 Retour d'Henri Langlois à Paris
1968 The Wild Racers
1969 More
1969 My Night at Maud's
1969 The Gun Runner
1970 Bed and Board
1970 Claire's Knee
1970 The Wild Child
1971 Make-up
1971 Pork with Sweet Potatoes
1971 Sing Sing
1971 Two English Girls
1972 Love in the Afternoon
1972 The Valley
1974 Cockfighter
1974 General Idi Amin Dada
1974 My Little Loves
1974 The Mouth Agape
1975 The Story of Adele H.
1976 Maîtresse
1976 The Marquise of O
1977 Change of Sex
1977 Entire Days in the Trees
1977 Madame Rosa
1977 The Man Who Loved Women
1978 Days of Heaven
1978 Goin' South
1978 Koko: A Talking Gorilla
1978 Perceval
1978 The Green Room
1979 Kramer vs. Kramer
1979 Love on the Run
1980 The Blue Lagoon
1980 The Last Metro
1982 Sophie's Choice
1982 Still of the Night
1983 Confidentially Yours
1983 Pauline at the Beach
1984 Improper Conduct
1984 Places in the Heart
1986 Heartburn
1987 Nadine
1987 Nobody Listened
1989 New York Stories
1990 Made in Milan
1991 Billy Bathgate
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.