A work in constant progress (and occasional regress).
Birthplace:
Lima, Peru
Born:
May 21, 1993
Silvana Alarcón Sánchez is a Peruvian film writer, director, editor and producer based in Lima, Peru. Filmmaker, teacher and researcher of non-fiction cinema and film audiences. She studied Audiovisual Communication at the Pontificia Universidad Católica del Perú. She served as author and principal investigator of the project 'Mutaciones del espectador en el Perú: hacia la creación de un perfil del consumidor peruano de estrenos nacionales 2019-2021', winner of the National Competition for Research Projects on Cinematography and Audiovisual 2020 of the DAFO (Peru's Ministry of Culture). His recent documentary short film and autobiographical exploration, 'Vientre Vacío (Empty Womb)', was winner of the Grand Jury Prize at the Peruvian Film Competition of the University of Lima's Semana del Cine. During 2022, his short films 'La Última Pieza: Ensayo I' and 'Vientre Vacío' have been part of the competitive sections of the XIII Festival Internacional Al Este de Lima. In this space, 'La Última Pieza: Ensayo I' won a special mention from the jury. Likewise, his first documentary piece 'Razón de Ver: Correspondencia I' has been selected for its Latin American premiere at the 2nd Festival Itinerante de Cine Latinoamericano Atemporal. She is currently in the development stage of her first feature documentary 'Razón de Ver', a family portrait that talks about emotional inheritance, motherhood and the biodescodification of diseases linked to previous traumas in women.
Cinematography:
2024 Unwritten Letter
Colorist:
2024 Julia se revela
2024 Unwritten Letter
Director:
2021 Empty Womb
2022 Reason for Seeing: Correspondence I
2022 The Last Piece: Essay I
2024 Julia se revela
2024 Unwritten Letter
Editor:
2021 Empty Womb
2022 Reason for Seeing: Correspondence I
2022 The Last Piece: Essay I
2024 Julia se revela
2024 Unwritten Letter
Producer:
2021 Empty Womb
2022 Reason for Seeing: Correspondence I
2022 The Last Piece: Essay I
2024 Julia se revela
2024 Unwritten Letter
Sound:
2021 Empty Womb
2022 Reason for Seeing: Correspondence I
2022 The Last Piece: Essay I
2024 Julia se revela
2024 Unwritten Letter
Writer:
2021 Empty Womb
2022 Reason for Seeing: Correspondence I
2022 The Last Piece: Essay I
2024 Julia se revela
2024 Unwritten Letter
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.