Lindsey Martin

Lindsey's films are humorous, sometimes dark looks at the inner workings of families going through crisis, often embracing the absurd. Her interests are in locations and how humans connect to the places they are from; in cyclical patterns of generations of women living in poverty in rural America and the bizarre tactics individuals, especially young girls and women, design to cope with traumatic experiences.  Using traditional narrative structures and a mixture of live action and animation, Lindsey mixes in changing visual modes allowing the viewer to explore character’s complex thought processes.  Lindsey is a 2024-25 Ohio Humanities Film Fellow through Ohio State University’s Wexner Center for the Arts. Her films have screened nationally and internationally including the Slamdance Film Festival, the Philadelphia Institute of Contemporary Art, the Athens International Film and Video Festival, and Cleveland International Film Festival. Her film, Pottero, won Best Animation at Provincetown International Film Festival and the Anchorage International Film Festival. Her films have also screened at various conferences and symposiums around the U.S. and abroad.  Lindsey received her BFA from Virginia Commonwealth University and her MFA from Temple University. She is an Assistant Professor of Film Production at Ohio University’s School of Film in the foothills of the Appalachian Mountains.

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Director:
2021  Pottero
2024  Reunion

Producer:
2021  Pottero
2024  Reunion

Thanks:
2021  Pottero
2024  Reunion
????  Discreet

Writer:
2021  Pottero
2024  Reunion
????  Discreet

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.