A work in constant progress (and occasional regress).
Born:
September 26, 2002
Kurt Joshua Oro is a student-filmmaker pursuing a degree in Bachelor of Arts in Communication, Digital Cinema Track. Having immersed himself in various production roles, he has taken on responsibilities as director, writer, assistant director, and producer. Guided by the belief that a single story holds the power to change how we feel the world, he crafts films that aim to awaken, transform, and stir something essential within the audience: a catharsis, a reckoning— a shift. He has explored terror and social apathy in his horror film Mata? Mata! Mata; (2023), captured the disconnect of lovers in the digital world in Pa’no Sa Susunod Na Brownout (2024), and defied society’s stigma through the power of love and memory in the political drama Silab ng Pira-pirasong Alaala (2024). Navigating the contradictions of human experience, he seeks to make the invisible visible — whether whispered through quiet, mundane details or screamed into existence through poetic outbursts.
Assistant Director:
2023 AAAAAA! MAMA!!
2024 EKONARCISSUS
2025 An I for an I
???? Route 406
???? Ven's Sunday
Assistant Editor:
2023 AAAAAA! MAMA!!
2024 EKONARCISSUS
2025 An I for an I
2025 Balatkayo
???? Route 406
???? Ven's Sunday
BTS Photographer:
2023 AAAAAA! MAMA!!
2023 Katas-Lungad
2024 EKONARCISSUS
2025 An I for an I
2025 Balatkayo
2025 EVIüS COMPLėX
???? Route 406
???? Ven's Sunday
Creative Consultant:
2023 AAAAAA! MAMA!!
2023 Katas-Lungad
2024 EKONARCISSUS
2025 An I for an I
2025 Balatkayo
2025 EVIüS COMPLėX
???? Route 406
???? Ven's Sunday
Director:
2023 AAAAAA! MAMA!!
2023 Katas-Lungad
2023 Mata? Mata! Mata;
2024 EKONARCISSUS
2024 Pa'no sa Susunod na Brownout?
2024 Silab ng Pira-pirasong Alaala
2025 An I for an I
2025 Balatkayo
2025 EVIüS COMPLėX
???? Route 406
???? Ven's Sunday
Editor:
2022 Muling Pagsisimula Sa Katapusan
2023 AAAAAA! MAMA!!
2023 Katas-Lungad
2023 Mata? Mata! Mata;
2024 EKONARCISSUS
2024 Pa'no sa Susunod na Brownout?
2024 Silab ng Pira-pirasong Alaala
2025 An I for an I
2025 Balatkayo
2025 EVIüS COMPLėX
???? Route 406
???? Ven's Sunday
Gaffer:
2022 Muling Pagsisimula Sa Katapusan
2023 AAAAAA! MAMA!!
2023 Katas-Lungad
2023 Mata? Mata! Mata;
2024 EKONARCISSUS
2024 Pa'no sa Susunod na Brownout?
2024 Silab ng Pira-pirasong Alaala
2025 An I for an I
2025 Balatkayo
2025 EVIüS COMPLėX
???? Route 406
???? Ven's Sunday
Producer:
2022 Muling Pagsisimula Sa Katapusan
2023 AAAAAA! MAMA!!
2023 Katas-Lungad
2023 Mata? Mata! Mata;
2024 EKONARCISSUS
2024 Pa'no sa Susunod na Brownout?
2024 Silab ng Pira-pirasong Alaala
2025 An I for an I
2025 Balatkayo
2025 EVIüS COMPLėX
???? Route 406
???? Ven's Sunday
Production Assistant:
2022 Muling Pagsisimula Sa Katapusan
2023 AAAAAA! MAMA!!
2023 Katas-Lungad
2023 Mata? Mata! Mata;
2024 EKONARCISSUS
2024 Pa'no sa Susunod na Brownout?
2024 Silab ng Pira-pirasong Alaala
2025 An I for an I
2025 Balatkayo
2025 EVIüS COMPLėX
???? Route 406
???? Ven's Sunday
Script Consultant:
2022 Muling Pagsisimula Sa Katapusan
2023 AAAAAA! MAMA!!
2023 Katas-Lungad
2023 Mata? Mata! Mata;
2024 EKONARCISSUS
2024 Pa'no sa Susunod na Brownout?
2024 Silab ng Pira-pirasong Alaala
2025 An I for an I
2025 Balatkayo
2025 Da Rakstar \m/
2025 EVIüS COMPLėX
???? Route 406
???? Ven's Sunday
Sound Designer:
2022 Muling Pagsisimula Sa Katapusan
2023 AAAAAA! MAMA!!
2023 Katas-Lungad
2023 Mata? Mata! Mata;
2024 EKONARCISSUS
2024 Pa'no sa Susunod na Brownout?
2024 Silab ng Pira-pirasong Alaala
2025 An I for an I
2025 Balatkayo
2025 Da Rakstar \m/
2025 EVIüS COMPLėX
???? Route 406
???? Ven's Sunday
Sound Editor:
2022 Muling Pagsisimula Sa Katapusan
2023 AAAAAA! MAMA!!
2023 Katas-Lungad
2023 Mata? Mata! Mata;
2024 EKONARCISSUS
2024 Pa'no sa Susunod na Brownout?
2024 Silab ng Pira-pirasong Alaala
2025 An I for an I
2025 Balatkayo
2025 Da Rakstar \m/
2025 EVIüS COMPLėX
???? Route 406
???? Ven's Sunday
Sound Mixer:
2022 Muling Pagsisimula Sa Katapusan
2023 AAAAAA! MAMA!!
2023 Katas-Lungad
2023 Mata? Mata! Mata;
2024 EKONARCISSUS
2024 Pa'no sa Susunod na Brownout?
2024 Silab ng Pira-pirasong Alaala
2025 An I for an I
2025 Balatkayo
2025 Da Rakstar \m/
2025 EVIüS COMPLėX
???? Route 406
???? Ven's Sunday
Sound Recordist:
2022 Muling Pagsisimula Sa Katapusan
2023 AAAAAA! MAMA!!
2023 Katas-Lungad
2023 Mata? Mata! Mata;
2024 EKONARCISSUS
2024 Pa'no sa Susunod na Brownout?
2024 Silab ng Pira-pirasong Alaala
2025 An I for an I
2025 Balatkayo
2025 Da Rakstar \m/
2025 EVIüS COMPLėX
???? My Hair Is Mine
???? Route 406
???? Ven's Sunday
Writer:
2022 Muling Pagsisimula Sa Katapusan
2023 AAAAAA! MAMA!!
2023 Katas-Lungad
2023 Mata? Mata! Mata;
2024 EKONARCISSUS
2024 Pa'no sa Susunod na Brownout?
2024 Silab ng Pira-pirasong Alaala
2025 An I for an I
2025 Balatkayo
2025 Da Rakstar \m/
2025 EVIüS COMPLėX
???? My Hair Is Mine
???? Route 406
???? Ven's Sunday
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.