A work in constant progress (and occasional regress).
Born:
December 30, 1993
Usually Christian Belz is responsible for various projects as a cinematographer. This is also the case for "LIEBESSTREIFEN" (scenic short film, directed by Adrian Schwartz, 2018) and "Wings of Kyrgyzstan" (short documentary, directed by Janna Häcker, 2019). "BE WILD - Normality is radical" (2019, 46 min) marks his first time directing a documentary to bring the urgency of the climate movement to the screen. His upcoming project "The Unpredictable Factor" (2022, 51 min) gets to the heart of the current climate debate and looks at the relationship between humans and the climate.
Cinematography:
2019 Wings of Kyrgyzstan
Color Grading:
2019 Wings of Kyrgyzstan
2022 The Unpredictable Factor
Colorist:
2018 Liebesstreifen
2019 Wings of Kyrgyzstan
2022 The Unpredictable Factor
Director:
2018 Liebesstreifen
2019 BE WILD - NORMALITY IS RADICAL
2019 Wings of Kyrgyzstan
2022 The Unpredictable Factor
???? The Lack of It
Director of Photography:
2018 Liebesstreifen
2019 BE WILD - NORMALITY IS RADICAL
2019 Wings of Kyrgyzstan
2022 The Unpredictable Factor
???? The Lack of It
Editor:
2018 Liebesstreifen
2019 BE WILD - NORMALITY IS RADICAL
2019 Wings of Kyrgyzstan
2022 The Unpredictable Factor
???? The Lack of It
Producer:
2018 Liebesstreifen
2019 BE WILD - NORMALITY IS RADICAL
2019 Wings of Kyrgyzstan
2022 The Unpredictable Factor
???? The Lack of It
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.