A work in constant progress (and occasional regress).
Alias:
June Beulah Hughes
Birthplace:
Leadville, Colorado, USA
Born:
January 30, 1887
Died:
July 26, 1927
June Mathis (born June Beulah Hughes, January 30, 1887 – July 26, 1927) was an American screenwriter. Mathis was the first female executive for Metro/MGM and at only 35, she was the highest paid executive in Hollywood. In 1926 she was voted the third most influential woman in Hollywood, behind Mary Pickford and Norma Talmadge. Mathis is best remembered for discovering Rudolph Valentino and writing such films as The Four Horsemen of the Apocalypse (1921), and Blood and Sand (1922).
Adaptation:
1921 The Hole in the Wall
1923 The Day of Faith
1923 The Spanish Dancer
1925 Ben-Hur: A Tale of the Christ
Editorial Coordinator:
1921 The Hole in the Wall
1923 The Day of Faith
1923 The Spanish Dancer
1925 Ben-Hur: A Tale of the Christ
1925 What Fools Men
Editorial Manager:
1921 The Hole in the Wall
1923 The Day of Faith
1923 The Spanish Dancer
1924 Name the Man
1924 Wild Oranges
1925 Ben-Hur: A Tale of the Christ
1925 The Marriage Whirl
1925 What Fools Men
1926 The Girl from Montmartre
Scenario Writer:
1916 The Upstart
1917 A Wife by Proxy
1917 His Father's Son
1918 Kildare of Storm
1918 Secret Strings
1918 The Winning of Beatrice
1918 Toys of Fate
1919 Lombardi, Ltd.
1920 Polly with a Past
1921 A Trip to Paradise
1921 The Hole in the Wall
1923 The Day of Faith
1923 The Spanish Dancer
1924 Name the Man
1924 Wild Oranges
1925 Ben-Hur: A Tale of the Christ
1925 The Marriage Whirl
1925 What Fools Men
1926 The Girl from Montmartre
1926 The Greater Glory
Screenplay:
1916 The Upstart
1917 A Wife by Proxy
1917 His Father's Son
1918 Daybreak
1918 Kildare of Storm
1918 Secret Strings
1918 The Winning of Beatrice
1918 Toys of Fate
1919 Lombardi, Ltd.
1919 The Brat
1920 Polly with a Past
1920 The Right of Way
1920 The Saphead
1920 The Willow Tree
1921 A Trip to Paradise
1921 The Four Horsemen of the Apocalypse
1921 The Hole in the Wall
1922 Blood and Sand
1923 The Day of Faith
1923 The Spanish Dancer
1924 Greed
1924 Name the Man
1924 Wild Oranges
1925 Ben-Hur: A Tale of the Christ
1925 Sally
1925 The Marriage Whirl
1925 What Fools Men
1926 The Girl from Montmartre
1926 The Greater Glory
???? Fair and Warmer
Script Editor:
1916 The Upstart
1917 A Wife by Proxy
1917 His Father's Son
1918 Daybreak
1918 Kildare of Storm
1918 Secret Strings
1918 The Winning of Beatrice
1918 Toys of Fate
1919 Lombardi, Ltd.
1919 The Brat
1920 Polly with a Past
1920 The Right of Way
1920 The Saphead
1920 The Willow Tree
1921 A Trip to Paradise
1921 The Four Horsemen of the Apocalypse
1921 The Hole in the Wall
1922 Blood and Sand
1923 The Day of Faith
1923 The Spanish Dancer
1924 Greed
1924 Name the Man
1924 Wild Oranges
1925 Ben-Hur: A Tale of the Christ
1925 Sally
1925 The Marriage Whirl
1925 What Fools Men
1926 Irene
1926 The Girl from Montmartre
1926 The Greater Glory
???? Fair and Warmer
Story:
1916 The Upstart
1917 A Wife by Proxy
1917 His Father's Son
1917 The Millionaire's Double
1918 Daybreak
1918 Kildare of Storm
1918 Secret Strings
1918 The Winning of Beatrice
1918 Toys of Fate
1919 Lombardi, Ltd.
1919 The Brat
1920 Polly with a Past
1920 The Right of Way
1920 The Saphead
1920 The Willow Tree
1921 A Trip to Paradise
1921 The Four Horsemen of the Apocalypse
1921 The Hole in the Wall
1922 Blood and Sand
1922 The Golden Gift
1923 The Day of Faith
1923 The Spanish Dancer
1924 Greed
1924 Name the Man
1924 Wild Oranges
1925 Ben-Hur: A Tale of the Christ
1925 Sally
1925 The Marriage Whirl
1925 What Fools Men
1926 Irene
1926 The Girl from Montmartre
1926 The Greater Glory
???? Fair and Warmer
Writer:
1915 The House of Tears
1916 God's Half Acre
1916 The Upstart
1917 A Wife by Proxy
1917 Blue Jeans
1917 Draft 258
1917 His Father's Son
1917 Red, White and Blue Blood
1917 The Barricade
1917 The Beautiful Lie
1917 The Call of Her People
1917 The Jury of Fate
1917 The Millionaire's Double
1917 The Power of Decision
1917 Threads of Fate
1918 A Man's World
1918 Daybreak
1918 Eye for Eye
1918 Kildare of Storm
1918 Secret Strings
1918 Social Hypocrites
1918 Social Quicksands
1918 Sylvia on a Spree
1918 The Eyes of Mystery
1918 The House of Mirth
1918 The Silent Woman
1918 The Trail To Yesterday
1918 The Winning of Beatrice
1918 Toys of Fate
1919 Lombardi, Ltd.
1919 Out of the Fog
1919 Satan Junior
1919 The Brat
1919 The Divorcee
1919 The Great Victory, Wilson or the Kaiser? The Fall of the Hohenzollerns
1919 The Red Lantern
1920 Hearts Are Trumps
1920 Polly with a Past
1920 The Right of Way
1920 The Saphead
1920 The Walk-Offs
1920 The Willow Tree
1921 A Trip to Paradise
1921 Camille
1921 The Conquering Power
1921 The Four Horsemen of the Apocalypse
1921 The Hole in the Wall
1922 Blood and Sand
1922 The Golden Gift
1922 The Young Rajah
1922 Turn to the Right
1923 The Day of Faith
1923 The Spanish Dancer
1923 Three Wise Fools
1924 Greed
1924 Name the Man
1924 Wild Oranges
1925 Ben-Hur: A Tale of the Christ
1925 Sally
1925 The Desert Flower
1925 The Marriage Whirl
1925 We Moderns
1925 What Fools Men
1926 Irene
1926 The Girl from Montmartre
1926 The Greater Glory
1927 An Affair of the Follies
1927 The Masked Woman
???? Fair and Warmer
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.