Klimovski (b. 1988)

Birthplace:
Melbourne, Victoria, Australia

Born:
May 29, 1988

Klimovski is an Emmy award-winning writer, director, and producer known for his inventive storytelling and boundary-pushing visual style. With an extensive background in content production, he has helmed projects that span various mediums, from viral series to internationally recognized short films.  Originally from Melbourne, Australia, Klimovski's unique creative vision is deeply influenced by his intersectional experiences, including his Queer identity, which is reflected in his work which typically tells Queer stories in non-conventional ways. He is celebrated for his ability to develop complex characters and compelling narratives that defy genre conventions.  Klimovski's work has been featured at major film festivals, and he has collaborated with global brands and platforms like Condé Nast and TikTok. His recent projects include the short film 'ATTAGIRL!' a crime-genre mafia epic, and ‘Love, Sick’ which is a raw exploration of intimacy and unraveling—but beneath it all, it’s a coded reflection on the AIDS crisis that tore through queer communities during the 80s.  A filmmaker driven by both technical excellence and emotional depth, Klimovski continues to push creative boundaries while crafting stories that leave a lasting impact.

Additional information:

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Director:
2025  ATTAGIRL!
????  Love, Sick

Writer:
2025  ATTAGIRL!
????  Love, Sick

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.