A work in constant progress (and occasional regress).
Alias:
Ace
Birthplace:
San Pedro, California, USA
Born:
April 25, 1967
Ken Brewer is a multi-talented filmmaker with expertise in directing, acting, editing, producing, and writing. He is best known for his work on the cult favorites "Death Bitch," "Zombie Rage," and the "Death Park" series. Ken's passion for filmmaking began at 15 when he created his first short film on Super 8. After directing several shorts, including "The Pad" in 1992, he took a break before reigniting his career in 2018 with the "Death Park" series. What started as a series of shorts culminated in the feature film "Death Park: The End," reflecting Ken's growth as a filmmaker. He continued his success with films like "Like Father Like Daughter" and "Zombie Rage." His most recent work, "Death Bitch," has garnered widespread acclaim.
Cinematography:
2022 Like Father, Like Daughter
???? Death Bitch
Director:
2021 Death Park: The Beginning
2021 Death Park: The End
2022 Like Father, Like Daughter
2023 Zombie Rage
???? Death Bitch
Editor:
2021 Death Park: The Beginning
2021 Death Park: The End
2022 Like Father, Like Daughter
2023 Zombie Rage
???? Death Bitch
Executive Producer:
2021 Death Park: The Beginning
2021 Death Park: The End
2022 Like Father, Like Daughter
2023 Zombie Rage
???? Death Bitch
Producer:
2021 Death Park: The Beginning
2021 Death Park: The End
2022 Like Father, Like Daughter
2023 Zombie Rage
???? Death Bitch
Special Effects:
2021 Death Park: The Beginning
2021 Death Park: The End
2022 Like Father, Like Daughter
2023 Zombie Rage
???? Death Bitch
Writer:
2021 Death Park: The Beginning
2021 Death Park: The End
2022 Like Father, Like Daughter
2023 Zombie Rage
???? Death Bitch
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.