A work in constant progress (and occasional regress).
Birthplace:
Düsseldorf, Germany
Born:
January 1, 1979
Director:
2007 Counterparts
2016 Über Barbarossaplatz
2019 Germany. A Winter's Tale
2019 Jupp, watt hamwer jemaht?
2019 Wir wären andere Menschen
2020 Die Hungrigen aber wandern aus
Screenplay:
2007 Counterparts
2016 Über Barbarossaplatz
2019 Germany. A Winter's Tale
2019 Jupp, watt hamwer jemaht?
2019 Wir wären andere Menschen
2020 Die Hungrigen aber wandern aus
Writer:
2007 Counterparts
2009 Die Treuhänderin
2016 Über Barbarossaplatz
2019 Germany. A Winter's Tale
2019 Jupp, watt hamwer jemaht?
2019 Wir wären andere Menschen
2020 Die Hungrigen aber wandern aus
2022 It Doesn't Have to Be Today
Author:
2023 Freiheit ist das Einzigste, was zählt
Director:
1970 Scene of the Crime
1971 Polizeiruf 110
2023 Freiheit ist das Einzigste, was zählt
2024 Zeit Crime
Executive Producer:
1970 Scene of the Crime
1971 Polizeiruf 110
2022 King of Stonks
2023 Freiheit ist das Einzigste, was zählt
2024 Zeit Crime
Writer:
1970 Scene of the Crime
1971 Polizeiruf 110
2022 King of Stonks
2023 Freiheit ist das Einzigste, was zählt
2024 Zeit Crime
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.