A work in constant progress (and occasional regress).
Job Alonso has been editing, directing, and producing film, TV, and music videos professionally for over 20 years. He is well versed in all sorts of film and video formats and post-production platforms such as Adobe Premiere, After Effects, Final Cut Pro, Avid, and others. He is also experienced in operating a drone, color grading, sound editing, and effects work such as green screen removal, motion tracking, and title overlays. He has years of experience in various production capacities including writer, journalist, camera operator, production assistant, assistant director, cinematographer, sound editor/score composer, actor, director, editor, and producer. His early training came from industry professionals he worked with as an assistant during the late '80s to the early '90s. In the mid-'90s he left the US to do volunteer film/video work in South America with his father, Alejandro Alonso, assisting him in his non-profit music/ministry in video-recording live events, concerts, and produced music videos and promos. In the year 2000, he began working on big-budget Hollywood productions as well as smaller independent films in multiple capacities. He has since matured into a well-seasoned actor, writer, director, editor, videographer, and producer of all sorts of music videos, short films, and multi-media content.
Stand In:
2007 Even Money
Stunts:
2001 Vanilla Sky
2007 Even Money
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.