A work in constant progress (and occasional regress).
Mandy Mossman is a makeup artist based in Los Angeles, California. She was born and raised in Maryland where she began practicing SFX makeup and monster making. As Mandy's love for makeup grew, she began expanding her skills into beauty, theatrical makeup and sculpting. When she realized she could make this passion into a life long career, she traveled west to L.A. to attend Cinema Makeup School's Master Makeup program to learn from industry professionals and refine her self-taught skills. Mandy is located in Los Angeles and she specializes in Film, TV, Commercial, and SFX makeup.
Key Makeup Artist:
2022 The Send-Off
Makeup Artist:
2022 The Girl
2022 The Send-Off
2023 Insidious: The Red Door
Makeup Department Head:
2022 The Girl
2022 The Send-Off
2023 Insidious: The Red Door
???? Trigger Happy
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.