Conor Deedigan

Birthplace:
Limerick, Ireland

With over 10 years of experience, Conor Deedigan is a director, editor and camera operator. He has directed and shot content for top leading brands such as Canon, Greenpeace, Tottenham Hotspur football club, and The BBC.A film he wrote, produced and directed, won Best British Drama at The Discover Film Award's 2018 . His insight into film, and other forms of artwork, help him to visually express the atmosphere, mood and themes of the piece.Conor enjoys working within a team on large and small projects as well as leading his own team in his own creative projects. Conor has knowledge of the entire film process having worked on major blockbusters such as StarWars, Wonder Woman, and James Bond. Conor has a flare for creative ideas and problem solving.He has highly effective time management and organisational skills and prides himself on his ability to work well with others and remain claim and positive under pressure.In 2022 Conor spearheaded a project for The Rank Prize Fund. This included working from a treatment he designed and touring the country interviewing a wide range of world renowned and highly prestigious scientists such as Sir David Payne and Professor Shuji Nakamura. Working closely with a team of camera operators both in the UK and the US, Conor successfully directed, edited and delivered ‘The Rank Prize Fund’s 50th Anniversary Film’ for CTVC and The Rank Prize Fund.

Additional information:

The Search Form


Additional Camera:
2022  The Impact

Assistant Director:
2017  Star Wars: The Last Jedi
2022  The Impact

Crowd Assistant Director:
2017  Star Wars: The Last Jedi
2021  No Time to Die
2022  The Batman
2022  The Impact

Director:
2017  Star Wars: The Last Jedi
2018  The Pen
2021  No Time to Die
2022  The Batman
2022  The Impact

Editor:
2017  Star Wars: The Last Jedi
2018  The Pen
2021  No Time to Die
2022  The Batman
2022  The Impact

Producer:
2017  Star Wars: The Last Jedi
2018  The Pen
2021  No Time to Die
2022  The Batman
2022  The Impact

Production Assistant:
2017  Star Wars: The Last Jedi
2017  The Mummy
2018  The Pen
2021  No Time to Die
2022  The Batman
2022  The Impact

Third Assistant Director:
2017  Star Wars: The Last Jedi
2017  The Mummy
2018  The Pen
2021  No Time to Die
2022  Doctor Strange in the Multiverse of Madness
2022  The Batman
2022  The Impact

Writer:
2017  Star Wars: The Last Jedi
2017  The Mummy
2018  The Pen
2021  No Time to Die
2022  Doctor Strange in the Multiverse of Madness
2022  The Batman
2022  The Impact

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.