Home

Luis Felipe Salamanca (b. 1961)

Birthplace:
Bogotá, DC, Colombia

Born:
November 29, 1961

Biography from TheMovieDB

Luis Felipe Salamanca (Bogotá, November 29, 1961) is a Colombian writer, screenwriter, scriptwriter and producer of soap operas and television series.  During the last 30 years he has created and written around 50 television projects where together with Dago García, both in partnership have been the scriptwriters of some Colombian soap operas and television series, also participating as general producers until 2001, among the plots and scripts that stand out are La sombra del deseo, Pecados Capitales (created in company with Miriam de Flores), Dora la Celadora and his biggest international success Pedro el Escamoso, among others.  He is also co-author of the screenplay La pena máxima.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Film Production

Writer:
2001  The Maximum Penalty
2018  Penalty Kick

Click the heading above to show or hide the list.

TV Production

Creator:
1992  La mujer doble
1998  Tres veces Sofía
2000  Maria Rosa, Buscame una Esposa
2001  Pedro El Escamoso
2006  Amores Cruzados
2007  Yo amo a Juan Querendón
2012  Las Santísimas
2013  Prohibido Amar

Writer:
1992  La mujer doble
1998  Tres veces Sofía
2000  Maria Rosa, Buscame una Esposa
2001  Pedro El Escamoso
2006  Amores Cruzados
2007  Yo amo a Juan Querendón
2012  Las Santísimas
2013  Prohibido Amar
2024  Peter the Great: Greater Than Ever

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.