A work in constant progress (and occasional regress).
Alias:
לורה ליני
蘿拉·琳妮
로라 리니
Birthplace:
New York City, New York, USA
Born:
February 5, 1964
Laura Leggett Linney (born February 5, 1964) is an American actress. She is the recipient of several awards, including two Golden Globe Awards and four Primetime Emmy Awards, and has been nominated for three Academy Awards and five Tony Awards. Linney made her Broadway debut in 1990 before going on to receive Tony Award nominations for the 2002 revival of The Crucible, the original Broadway productions of Sight Unseen (2004), Time Stands Still (2010), My Name Is Lucy Barton (2020), and the 2017 revival of The Little Foxes. On television, she won her first Emmy Award for the television film Wild Iris (2001), and had subsequent wins for the sitcom Frasier (2003–04) and the miniseries John Adams (2008). From 2010 to 2013, she starred in the Showtime series The Big C, which won her a fourth Emmy in 2013, and from 2017 to 2022 she starred in the Netflix crime series Ozark. Linney is also an established film actress. She made her film debut with a minor role in Lorenzo's Oil (1992) and went on to receive Academy Award nominations for the dramas You Can Count on Me (2000), Kinsey (2004), and The Savages (2007). She's also known for her performances in Primal Fear (1996), The Truman Show (1998), Mystic River and Love Actually (both 2003), The Squid and the Whale (2005), The Nanny Diaries (2007), Hyde Park on Hudson (2012), Mr. Holmes (2015), Sully and Nocturnal Animals (both 2016).
Co-Executive Producer:
2017 Ozark
Director:
2017 Ozark
???? Black Rabbit
Executive Producer:
2010 The Big C
2017 Ozark
2019 Tales of the City
???? Black Rabbit
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.