A work in constant progress (and occasional regress).
Birthplace:
Los Angeles, California, USA
Caroline Ho is a pianist, cellist, and one of the youngest film composers to score a studio feature. She began composing at age 7, and her first orchestral composition premiered internationally at age 13. After graduating from Yale with honors, Caroline was mentored by multi Oscar-nominated composer Marco Beltrami (THE HURT LOCKER, LOGAN, SCREAM), collaborated with composer Ryan Lott of Son Lux, and recently wrote music for box office hit A QUIET PLACE: DAY ONE and AMERICAN HORROR STORIES in collaboration with Alexis Grapsas. In 2024 Caroline scored MOTHER OF THE BRIDE on Netflix directed by Mark Waters (MEAN GIRLS, FREAKY FRIDAY), and has another Netflix feature slated for 2025. Her work has premiered at major festivals including TIFF and Tribeca. Caroline intertwines her rich experience as a classical performer with scoring by experimenting with live acoustic & electric strings, creative production, and piano. She is represented by First Artists Management.
Compositor:
2024 Fishtank
Music:
2019 Ladyfingers
2022 The River
2023 Proof of Concept
2023 The Learner
2024 Fishtank
???? As With Dogs
???? Mandarins
???? Skunk
Musician:
2019 Ladyfingers
2022 The River
2023 Proof of Concept
2023 The Learner
2024 Fishtank
2024 Mother of the Bride
???? As With Dogs
???? Mandarins
???? Skunk
Orchestrator:
2019 Ladyfingers
2022 The River
2023 Proof of Concept
2023 The Learner
2024 Fishtank
2024 Mother of the Bride
???? As With Dogs
???? Mandarins
???? Skunk
Original Music Composer:
2019 Ladyfingers
2022 The River
2023 Proof of Concept
2023 The Learner
2024 Fishtank
2024 Mother of the Bride
???? As With Dogs
???? Mandarins
???? Skunk
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.