A work in constant progress (and occasional regress).
Birthplace:
Texas, USA
Born:
August 3, 2000
Colton Tyler Capps (born August 3, 2000) is an American director, editor, and cinematographer. Colton made his first film in 2017, at the age of seventeen. He was assigned a movie project with his friends Kaden Lloyd and Taimoor Malik for a class in high school. The three boys came together and made their first short film, 24 Hour Nightmare (2017). Ever since then, Capps has enjoyed creating films. He practiced and improved his abilities as a filmmaker in his high school film class known as TigerVision at Texas High School with the help of his instructor, Charles Aldredge. After graduation, he decided to attend the University of North Texas to further improve his skills as a filmmaker. Capps received his first award of Best Director at STN (Student Television Network) in 2018 for his film Game Over (2018). He went on to win 1st Place Digital Cinematography at SKILLS USA Regionals for his film The Quest (2019). He moved on to SKILLS USA Texas State, where he got 3rd Place Digital Cinematography for his film Date Night (2019).
Cinematography:
2019 The Quest
2022 Game Over
Color Grading:
2019 The Quest
2022 Game Over
???? The Ballad of Walter Weshley
Director:
2019 The Quest
2022 Game Over
???? The Ballad of Walter Weshley
Director of Photography:
2019 The Quest
2022 Game Over
???? The Ballad of Walter Weshley
Editor:
2019 The Quest
2022 Game Over
???? The Ballad of Walter Weshley
Assistant Director:
2022 Bothersome Days
Cinematography:
2022 Bothersome Days
Colorist:
2022 Bothersome Days
Director of Photography:
2022 Bothersome Days
Editor:
2022 Bothersome Days
Special Effects:
2022 Bothersome Days
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.