A work in constant progress (and occasional regress).
After a training in sculpture at Olivier de Serres in Paris and a master degree in film studies at University of Montreal, Claire Brognez specialized in stopmotion animation, collaborating for various projects. The obsessive idea of making intimacy tangible through a sensual animation of clay led her to produce and direct Marguerite (2013), Ninfa (2016) and The sister's bedroom (2018).
3D Artist:
2018 Bone Mother
Animation:
2015 Sexy Laundry
2018 Bone Mother
Art Direction:
2015 Sexy Laundry
2018 Bone Mother
2018 The Sisters' Bedroom
Director:
2015 Sexy Laundry
2018 Bone Mother
2018 The Sisters' Bedroom
Director of Photography:
2015 Sexy Laundry
2018 Bone Mother
2018 The Sisters' Bedroom
Producer:
2015 Sexy Laundry
2018 Bone Mother
2018 The Sisters' Bedroom
Writer:
2015 Sexy Laundry
2018 Bone Mother
2018 The Sisters' Bedroom
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.