A work in constant progress (and occasional regress).
Birthplace:
Brooklyn, New York, USA
Died:
February 1, 2016
Nadine Markova, in the seventies, did an important photographic work of Mexico, while she developed in the field of advertising and glamour of the most prominent people of the seventies and eighties, both in Europe, the United States, Mexico and Latin America. She was an active photographer and cinematographer recognized worldwide for her portraits of politicians, celebrities and high society people, as well as for her commercial and advertising photography. She worked professionally as a director of photography and cinematographer on 35 mm feature films, shot and directed more than 90 television commercials for major companies. Nadine captured with her camera Isela Vega, Olga Breeskin, Sasha Montenegro, Lucha Villa, who nicknamed her Santa Markova, because in her photos she made her look slender and beautiful. Politicians were also his target: he portrayed from Díaz Ordaz to Ernesto Zedillo, as well as personalities such as Pope John Paul II, Geraldine Chaplin, Harry Belafonte, Kirk Douglas, Sidney Poitier, Isabella Rossellini, Michael Douglas and John Gavin. Carlos Fuentes had the desire to "carry her cameras and be invisible in her studio". Luis Spota proudly had her photo on his desk as the muse of his inspiration. Federico Fellini flirted with her while filming Amarcord. Actor Claudio Brooks, in the ambivalence of succumbing to an irrepressible seduction or fearfully retreating before a daring and independent woman, dedicated his performance of Man of La Mancha to her in New York. Almost any Mexican over the age of 65 remembers her with a mischievous smile evoking her fame as a photographer for Caballero magazine. She was considered the best advertising photographer in Mexico. She collaborated with publications such as Life, Forbes, Playboy, National Geographic, Newsweek, Times, People, Vogue and Rolling Stone.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.