A work in constant progress (and occasional regress).
Birthplace:
Arvika, Värmlands län, Sweden
Born:
August 28, 1918
Died:
February 10, 2003
Lars-Eric Kjellgren (1918–2003) was a Swedish screenwriter and film director.
Assistant Director:
1943 Natt i hamn
1943 Ordet
1944 The Emperor of Portugallia
Director:
1943 Natt i hamn
1943 Ordet
1944 The Emperor of Portugallia
1947 Tappa inte sugen
1948 Private Bom
1949 Father Bom
1949 The Lord from the Lane
1950 While the City Sleeps
1951 Tull-Bom
1952 Blondie, Biffen och Bananen
1952 Flyg-Bom
1952 Säg det med blommor
1953 Hidden in the Fog
1953 Ingen mans kvinna
1955 The City By the Waters
1955 Våld
1956 Den Hårda Leken
1957 Far till sol och vår
1957 Night Light
1958 Playing on the Rainbow
1959 Crime in Paradise
1967 Lorden från gränden
Location Manager:
1943 Natt i hamn
1943 Ordet
1944 The Emperor of Portugallia
1946 Crisis
1947 Tappa inte sugen
1948 Private Bom
1949 Father Bom
1949 The Lord from the Lane
1950 While the City Sleeps
1951 Tull-Bom
1952 Blondie, Biffen och Bananen
1952 Flyg-Bom
1952 Säg det med blommor
1953 Hidden in the Fog
1953 Ingen mans kvinna
1955 The City By the Waters
1955 Våld
1956 Den Hårda Leken
1957 Far till sol och vår
1957 Night Light
1958 Playing on the Rainbow
1959 Crime in Paradise
1967 Lorden från gränden
Writer:
1943 Natt i hamn
1943 Ordet
1944 The Emperor of Portugallia
1946 Crisis
1947 Tappa inte sugen
1948 Private Bom
1949 Father Bom
1949 The Lord from the Lane
1950 While the City Sleeps
1951 Tull-Bom
1952 Blondie, Biffen och Bananen
1952 Flyg-Bom
1952 Säg det med blommor
1953 Hidden in the Fog
1953 Ingen mans kvinna
1955 The City By the Waters
1955 Våld
1956 Den Hårda Leken
1957 Far till sol och vår
1957 Night Light
1958 Playing on the Rainbow
1959 Crime in Paradise
1967 Lorden från gränden
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.