A work in constant progress (and occasional regress).
Alias:
Маруся Сыроечковская
Birthplace:
Moscow, USSR (now Russia)
Born:
January 1, 1989
Marusya Syroechkovskaya (Russian: Маруся Сыроечковская; born in 1989; Moscow, Russia) is a Russian documentary filmmaker, cameraman and producer. Marusya studied documentary filmmaking at the School for Documentary Film and Documentary Theatre in Moscow under professor Marina Razbezhkina and Mikhail Ugarov in 2008 and received her Master’s in Film Directing from the Department of Filmmaking at the Institute of Contemporary Art in Moscow in 2014. In 2011 she participated in Flahertiana documentary workshop (Perm, Russia). In 2014 participated in Picture Berlin (Berlin, Germany) summer residency/art academy.
Additional Camera:
2022 The New Greatness Case
Co-Producer:
2022 The New Greatness Case
2023 How to Save a Dead Friend
Director:
2011 Pure Man
2013 Exploration of Confinement
2022 The New Greatness Case
2023 How to Save a Dead Friend
Director of Photography:
2011 Pure Man
2013 Exploration of Confinement
2022 The New Greatness Case
2023 How to Save a Dead Friend
Editor:
2011 Pure Man
2013 Exploration of Confinement
2022 The New Greatness Case
2023 How to Save a Dead Friend
Original Music Composer:
2011 Pure Man
2013 Exploration of Confinement
2022 The New Greatness Case
2023 How to Save a Dead Friend
Producer:
2011 Pure Man
2013 Exploration of Confinement
2018 Insomnia
2022 The New Greatness Case
2023 How to Save a Dead Friend
Sound Mixer:
2011 Pure Man
2013 Exploration of Confinement
2018 Insomnia
2022 The New Greatness Case
2023 How to Save a Dead Friend
Story:
2011 Pure Man
2013 Exploration of Confinement
2018 Insomnia
2022 The New Greatness Case
2023 How to Save a Dead Friend
Writer:
2011 Pure Man
2013 Exploration of Confinement
2018 Insomnia
2022 The New Greatness Case
2023 How to Save a Dead Friend
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.